Channels :: FRELIP Discovery

Author: Struwig, Mieke

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Surveying Post-Apartheid Decolonisation of the BMus Curriculum at Four South African Tertiary Music Departments
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An intellectual history of institutionalised music studies in South Africa

Author: Bredekamp, Leonore

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Troubling apartheid and its institutions Godspell in South Africa

Similar Items: Collaborative pianists in South Africa: comparative & practice-based perspectives with reference to musical theatre

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Hybridizaton and the theatre practice: an analysis of legends the musical
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The life and career of South African pianist and teacher Lionel Bowman (1919-2006)
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Orchestration trends in a sample of successful musical theatre works
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Exploring elements of musical style in South African jazz pianists
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Memorisation : an approach for the pianist
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Experiences of prominent jazz vocalists : exploring the collaboration between vocalist and pianist during performances
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South African classical pianists’ lived experiences of preventing and recovering from playing- and performance-related injuries
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Creating new music for horn through collaborative practice
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Future-focussed music education: developing 21st-century competencies in a South African middle school music classroom
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South African concert pianists: an overview 1900 -1989
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Chopin’s Music in the ‘Brand Theatre’: From Directed Stimulation to Shared Meaning
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An investigation into the effectiveness of using headphones with integrated microphones to simulate concert hall acoustics for musicians in small acoustic environments
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Music in the community : a study of community music projects in the Western Cape, with specific reference to the Redefine Music Education Project, in Kuils River.
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Contemporary performance practice of art music in South Africa : a practice-based research enquiry
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The reception of Norwegian-South African musical interactions : a study of selected musical collaborations from the 19th century to the present
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'Re-writing' Shakespeare in Africa : creating musical relevance for a contemporary South African audience; with special reference to Geoffrey Hyland's production of Twelfth Night, or What You Will, staged at Maynardville Open-Air Theatre in 2006
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The historical development of the clarinet with special reference to its musical repertoire
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The marriage of Figaro : a comparative study of the theatre play by Beaumarchais and the opera by Mozart and Da Ponte
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A design of a South African popular music degree
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Tracing the directorial process of theatrical translation : a practice-led case study
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Being public : musicians and the Market Theatre Cafe, 1976 - 1980
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After the megamusical : exploring the intimate form
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Kabaret as moonlike teatervorm vir sangers met 'n klassieke sangorientasie
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Perspectives on straight-tone singing in Western Classical music

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