Channels :: FRELIP Discovery

Author: Green, Louise

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From Solastalgia to Soliphilia : reimagining home in the Anthropocene in Darren Aronofsky’s mother!, Paul Schrader’s First Reformed and Wanuri Kahiu’s Pumzi

Similar Items: From Solastalgia to Soliphilia : reimagining home in the Anthropocene in Darren Aronofsky’s mother!, Paul Schrader’s First Reformed and Wanuri Kahiu’s Pumzi

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Redeeming loneliness: Paul Ricouer's strangeness and recognition in Marilynne Robinson's Gilead, Home and Lila
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The dynamics of oppression portrayed in Harold Pinter's One for the Road and Salah Abdul-Saboor's Night Traveller
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Discourse and identity in Antigone, The Awakening, and The House of Mirth
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’n Ondersoek na Ronelda Kamfer se poësie aan die hand van bell hooks se filosofie oor ras en taal
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Postkoloniale melancholie in Ronelda S. Kamfer se Hammie (2016) en Amen
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Myth and counterfactuality in diasporic African women’s novels
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Indlela ababunjwe ngayo abafazi kwiincwadi zedrama ZesiXhosa
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Naar analogie van schaduwen aan de wand : een wijsgerige interpretatie van 'de schaduw als kunstwerk' aan de hand van Plato's grotvergelijking
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Plato en Aristoteles se poetika
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An inner-biblical interpretation and intertextual reading of Ezekiel's recognition formulae with the book of Exodus
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The biological conceptions of language of Chomsky, Bickerton and Lieberman
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The topos of the Great King
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Cui bono? Cicero's reasons for publication
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Die funksie en betekenis van vroulike metafore vir die stad, land en volk van Jahwe in die boeke Jesaja, Jeremia en Esegiel
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Die liminaliteitsmotief in twee grootwordromans : Jeanne Goosen se o.a. Daantjie dromer (1993) en Dominique Botha se Valsrivier (2013) en Roet (Roman)
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Presentations of masculinity in a selection of male-authored post-apartheid novels
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Maranatha as a hermeneutical key to reinterpreting the imprecatory Psalms
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Women speak : the creative transformation of women in African literature
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Die dichterischen Gestaltungen des Nibelungenstoffes bei Friedrich Hebbel, Max Mell und Reinhold Schneider
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Forms of power and energies of change in the works of Chinua Acbebe, Bessie Head and Dambudzo Marechera
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Die Bergrede as litterature engagee
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The narrative act in Luke-Acts from the perspective of God's design
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Kontemporere woordkuns as teatergenre : 'n ondersoek na die aard van die vorm van die werke van enkele Stellenbosche woordkunstenaars
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Die samehang tussen 'n wereldbeeld en etiek in die Tien Gebooie soos gereflekteer in Eksodus 20:1-17 en Deuteronomium 5:1-22