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Author: Earl, Jennifer

  • Author: Hoffman, Alexandra
  • Author: Jonas, Siphokazi
  • Author: Leverton, Tara Juliette Corinna
  • Author: Melvill, Oliver
  • Author: Roberts, Abby
  • Author: Sholto-Douglas, Alice
  • Author: Van Heerden, Jacques
  • Author: Van der Schyff, Karlien
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    The influence of African folktales on Sylvia Path's 'Ariel voice'

Author: Hendricks, Sabeela

  • Author: Hoffman, Alexandra
  • Author: Jonas, Siphokazi
  • Author: Leverton, Tara Juliette Corinna
  • Author: Melvill, Oliver
  • Author: Roberts, Abby
  • Author: Sholto-Douglas, Alice
  • Author: Van Heerden, Jacques
  • Author: Van der Schyff, Karlien
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    Towards a black poetics: alternative modes of visibility in representations of post-apartheid black trauma

Similar Items: Shakespeare and the cinema of excess

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    Shakespeare on South African television
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    Sol Plaatje’s Shakespeare : translation and transition to modernity
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    Shakespeare in South Africa : literary theory and practice
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    Behind the desk : encountering Shakespeare in South African education
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    The influence of alchemy and Rosicrucianism in William Shakespeare's Pericles, Prince of Tyre and The tempest, and Ben Jonson's The alchemist
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    The informe in David Lynch's cinema : reading American film through the 'Philosophy' of Georges Bataille
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    Moving passions: theories of affect in Renaissance love discourse and Shakespeare's Elizabethan plays
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    The role of prayer in Shakespeare's plays
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    Of discourse and dialogue : the representation of power relationships in selected plays by Shakespeare
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    I Know Him Not, and Never Will: Moby Dick, The Human and the Whale
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    THE AESTHETICS OF SHADOW AND LIGHT IN BERNARDO BERTOLUCCI'S CINEMA AN ANALYSIS OF THE CONFORMIST
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    Silencing Cinema: Censorship and Discursive Resistance in Laila Marrakchi’s Marock
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    A study of indigenous children's literature in South Africa
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    Nature Art : Ovid's poetics of creation in the metamorphoses
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    Pride and prejudice in the twenty-first century
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    The influence of African folktales on Sylvia Path's 'Ariel voice'
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    Forms of cohesion : the development of style in the novels of Virginia Woolf
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    Alexander the Great and the English novel
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    Passing on: "The Weight of Memory" and the Second Generation Fiction of Anne Michaels, W. G. Sebald and Bernhard Schlink
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    Towards Marxist stylistics: incorporating elements of critical discourse analysis into Althusserian Marxist criticism in the interpretation of selected Zimbabwean fiction
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    Beyond the inferno : literary representations of New York City before and after 9/11
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    "Not rape, not quite that" : an exploration of the rape narratives in J.M. Coetzee's Disgrace and in The Heart of the Country within the South African context
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    Secular séance: Post-Victorian embodiment in contemporary South African art
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    Emigration, literary celebrity, and the autobiographical turn in J.M. Coetzee's later fiction

Similar Items: The influence of African folktales on Sylvia Path's 'Ariel voice'

  • Similar Items: Behind the desk : encountering Shakespeare in South African education
  • Similar Items: Educating the other : the politics of somatic difference in Frankenstein
  • Similar Items: The politics of visuality in Beloved and The Colour Purple
  • Similar Items: Madmen and mad money: psychological disability and economics in medieval and early mo...
  • Similar Items: Beyond the "Baartman Trope": representations of black women's bodies from early South...
  • Similar Items: “Brightly Colored Magic and Weird Worlds”: Sylvia Plath’s Creation of Personae Throug...
  • Similar Items: The Language of Love and Desire: Convention, Affect, and Intimacy in the Contemporary...
  • Similar Items: Towards a black poetics: alternative modes of visibility in representations of post-a...
  • View Record
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    “Brightly Colored Magic and Weird Worlds”: Sylvia Plath’s Creation of Personae Through Her Visual Poetics
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    The love poems of Sylvia Plath
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    Intertextuality in student writing : the intersection of the academic curriculum and student voices in first year economics assignments
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    The ambiguous female voice : recovering female subjectivity in Elizabeth Cary's The tragedy of Mariam, the fair queen of Jewry
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    Shadow and babble : a study of imagery and narrative voice in the prose fiction of Samuel Beckett, from Murphy to The unnamable
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    Recreating Orality: Cultural and Performative Aspects in Lebbady’s Translation of Moroccan Folktales into English
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    Shakespeare on South African television
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    Behind the desk : encountering Shakespeare in South African education
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    A sense of place in selected African works by Doris Lessing read in conjunction with novels of education by contemporary white South African women writers
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    The influence of alchemy and Rosicrucianism in William Shakespeare's Pericles, Prince of Tyre and The tempest, and Ben Jonson's The alchemist
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    Discipline and savagery : the spectacle of the post-apartheid South African school
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    Presenting the prison : the South African prison autobiography under apartheid
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    Oblique figures : representations of Islam in South African media and culture
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    Secular séance: Post-Victorian embodiment in contemporary South African art
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    White writings : colonialism and modernism in South African literature since 1970
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    Limited possibilities : agency and subaltern subjectivity in four South African allegories
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    At home in Fanon: Queer romance and mixed solidarities in contemporary African fiction
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    Limited possibilities: agency and subaltern subjectivity in four South African allegories
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    Narrative technique and readerships in postcolonial African fiction : towards reception theory
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    Translated people, translated texts : language and migration in some contemporary African fiction
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    Irony and otherness : a study of some recent South African narrative fiction
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    Not all camps have camouflage: gay writing and the great South African dream
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    Guy Butler from a post-apartheid perspective : reassessing a South African literary life
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    "Not rape, not quite that" : an exploration of the rape narratives in J.M. Coetzee's Disgrace and in The Heart of the Country within the South African context

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