Die ontwikkeling van kritiese denke deur die gebruik van drama as onderrigmetode binne die vak Lewensorientering
Die rol van praktiese werk in die onderrig van drama as 'n akademiese dissipline
De verhouding van spel en literatuur in de dramatische kunst
Drama-opleiding : ’n ondersoek na die aard, implementering en uitkomste van kurrikula in Suid-Afrikaanse skole
Die tegniek van geen tegniek : 'n ondersoek na kontak improvisasie in Suid-Afrika, met spesiale verwysing na die werk van Lanon Prigge en Samantha Pienaar
Bemarking van die Afrikaanse teater : vraag en aanbod ten opsigte van toneel as produk
Die begrip drama-in-die-onderwys : met verwysing na die toepassing daarvan in Suid-Afrikaanse skole
Using theatre techniques as a tool to enable active learning : searching for a pedagogy to transform spectators into spect-actors
'n Ondersoek na die integrasie en wisselwerking van die betekenisdraende elemente in poppeteater
Kabaret as sosiale en politieke kommentaar : 'n ontleding van die aanwending van die komiese, satire en parodie
An examination of the relation of scientific thought to changing notions of time, space and character in 20th century drama: Chekov, Beckett, Foreman
Considering rhythms of emotional proximity: an alternative approach to directing theatre in a violent society
Anarchival dance: choreographic archives and the disruption of knowledge
A Museum of Bottled Sentiments: the ‘beautiful pain syndrome’ in twenty-first century Black South African theatre making
Questions for Amma: Tracing the manifestations of violence on the South African Indian Female body
Remembering Repertoires: exploring performance as a social innovation technology
Neurobiology, empathy and social cognition: the potential benefits of theatre in traumatised communities
Inherited memories : performing the archive
Homecoming: finding a place for shamanic practice in the creation of post colonial theatre
Own-made in the (post-)new South Africa : a study of theatre originating from selected townships in the vicinity of Cape Town
Ma, performing the White, Afrikaner Woman back to self
Painting as a response to a sense of dislocation in the South African social fabric
Remembering in the postcolony : refiguring the past with theatre
Exploring theatrical conventions and the application of palimpsest, polyphony, hauntology, and site-specific, through a scenographic lens
