Panebianco-Warrens, C. R. (2016). Power in Madness: A critical investigation into the musical representation of female madness in the mad scenes of Donizetti’s ‘Lucia’ from Lucia di Lammermoor (1835) and Thomas’s ‘Ophélie’ from Hamlet (1868). University of Pretoria.
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Chicago Style (17th ed.) Citation
Panebianco-Warrens, Clorinda Rosanna. Power in Madness: A Critical Investigation into the Musical Representation of Female Madness in the Mad Scenes of Donizetti’s ‘Lucia’ from Lucia Di Lammermoor (1835) and Thomas’s ‘Ophélie’ from Hamlet (1868). University of Pretoria, 2016.
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MLA (9th ed.) Citation
Panebianco-Warrens, Clorinda Rosanna. Power in Madness: A Critical Investigation into the Musical Representation of Female Madness in the Mad Scenes of Donizetti’s ‘Lucia’ from Lucia Di Lammermoor (1835) and Thomas’s ‘Ophélie’ from Hamlet (1868). University of Pretoria, 2016.
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Warning: These citations may not always be 100% accurate.