A performance guide of J.S. Bach's viola da Gama sonatas transcribed for viola by Isaacs, Azra

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Aspects of George Philipp Telemann's Nouvelaux quatuors, in particular their possible influence on the conversations galantes of Louis-Gabriel Guillemain by Oxtoby, Colleen Joy

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Samuel Pepys' reception and perception of vocal music in seventeenth-century England : an analysis of selected diary entries from 1660 until 1669 by Lubbe, Michelle Hester

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The history of the clarinet in South Africa by Steltzner, Becky L

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How did Wolfgang Amadeus Mozart adjust his compositional technique when writing for a Mezzosoprano en travesti? A comparison between the roles of Cherubino and Sesto by Pretorious, Ane Sophia

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The Spohr fingering principles as manifested in his Violinschule by Shaw, Annien

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The impact of having a choir in the community by Sithela, Abonga Will

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Conquering the Cape: the role of domestic keyboard instruments in colonial society and the colonisation process by Dippenaar, Erik (Gert Diederick Victor)

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The mediation and facilitation of a ‘living' landscape through the musical arts within the Clanwilliam Arts Project by Andrews, Brandon Hilton

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The Development of a Violinistic Idiom in Early Violin Music: Violin Music and its Composers in the Early 17th Century in Italy by Cook, Shannon

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Schubert s dramatic Lieder to Poems by Goethe: Technical and interpretive decision-making from a lyric baritone s perspective by Lodewyk, Aubrey

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The Development of the Passacaglia for Organ through German and South African Composers by Adams, Mikyle

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