Interrogating the own: a practise-based, auto-ethnographic reflection on musical creation with reference to the work of Abdullah Ibrahim, Zim Ngqawana and Kyle Shepherd by Shepherd, Kyle

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Encountering Bheki Mseleku: a biographical-analytical consideration of his life and music by Makhathini, Nduduzo

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Sonic Signatures in South African Jazz: A stylistic analysis of the trio music of Kyle Shepherd, Bokani Dyer and Nduduzo Makhathini by de Villiers, Melorie Jane

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Breaking into sound: dis/locating Ntu cosmology and improvisation in South African jazz by Makhathini, Nduduzo

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Playing with influence: a practice-based inquiry into the compositional processes of six South African musicians by Ahrends, Keenan Chas

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Traversing the two sides of the saxophone: navigating jazz and classical saxophone praxes through the lens of code-switching by Lynch, Mark Michael

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Dizu Zungula Mzikantu Plaatjies: Converging worlds of African Music at the University of Cape Town, 1992-2024 by Grayer, Fiona Marian

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Exploring displacement as a theoretical paradigm for understanding John Joubert's opera Silas Marner by Vos, Stephanie

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