Deconstruction of Chinese Masculinity, Adaptation of Hong Kong Gangster Films, and Political Criticism in Television Series The Knockout

Subjects: “…Art - film and audiovisuals…”
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Use of ASMR Technique in Movies

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Symbolic Metaphors of Film Epidemic Narratives: A Comparative Study of Chinese and Foreign Epidemic Disaster Films

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Evaluating Turkish Comedy Cinema From the Perspective of a Female Audience

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Audiovisual Strategies and the Unity in Diversity Principle of the EU: A Cultural Dimensions Perspective on European and Turkish Cinema

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Zeki Demirkubuz as a Creator of Meaning: A Critique of the Film Hayat

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The Aesthetics of Imperfection: A Theoretical Evaluation of the Meaning Layers of Glitch Aesthetics in Communication Design and Cinema

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The Interrelation of TV-series and Interior Design in the Construction of Meaning: Cinematic Narratives and the Psychological Function of Space

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Review of Rated A: Soft Porn Cinema and Mediations of Desire in India

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Review of Architecture in Cinema

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Review of Exposing Vulnerability: Self-Mediation in Scandinavian Films by Women

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Review of Contemporary Art Cinema Culture in China

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Get Busy Living: Leaping Out of Confinement with Kierkegaard in The Shawshank Redemption

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Numinous Matter: Time, Image, and the Sacred in Tarkovsky’s Cinema

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The Inscrutability of Providence in Tarkovsky's Stalker

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Not Yearning to Be Saved: Arranged (2007) and the Politics of Liberal Savior Narratives

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Contemplative Absence: Sacred Experience in Abbas Kiarostami’s The Wind Will Carry Us and the Aesthetics of Slow Cinema

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Southern by the Grace of God: Religion, Race, and Civil Rights in Hollywood’s American South

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Theology and the Films of Christopher Nolan: Cinematic Transcendence

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Bollypolitics: Popular Hindi Cinema and Hindutva

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