Teaching Phillis Wheatley Peters’s Morals on Words and Actions in American Literature to 1860

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On Being Brought from Gambia or Ghana to Colonial Boston: Teaching Phillis Wheatley and Place

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Introduction: Concise Collection on Teaching the Works of Phillis Wheatley Peters, Part II

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Framing Affect: Close up to Feeling with Women at the Eighteenth-century Theatre on the Twenty-first Century Screen

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“[B]oth in body and mind”: Gothic, Affect, and Power in Eliza Parsons’s The Mysterious Warning (1796)

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Association, Affect, and Material Reading Practices of Anna Laetitia Barbauld

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The Gendered Duality of Coldness in the Portrayals of Eliza Hayley

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Curious Objects: Form and Feeling in Mary Leapor's Thing Poems

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Managerial Forms: Narrative, Information, and Household Government in the Diaries of Sarah Cowper

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Epic Anger and Shame in Lucy Hutchinson’s Order and Disorder

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Queer Excess and Hybrid History in Elizabeth Cary’s Edward II

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True to Form: Genre and Critical Affect in the Study of Early Modern Women’s Writing

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Between Official and Unofficial Naming: The Urbanonymy Of Mosques and Masjids in The Historic Region Of Ankara From The Pre-Republican Era To The Present

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The Use Of Scrap Materials in Architecture: A Conceptual and Practical Analysis Of Junkitechture Practices

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A Critical Look At Buket Uzuner's İki Yeşil Susamuru Novels in Relation To Judith Butler's Theory Of “Performativity”

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Cultural Heritage Of Giresun: Giresun Folk Songs

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Intercultural Memory Of The Sea: Mythopoetic Figures in Turkish and Norse Traditions

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The Circle Of Pain: Repetition and Redemption in Alice Walker’s Possessing The Secret Of Joy

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Ethics Of Difference and Cartography Of The Self: Identity Representations and Social Marginality in Yasmina Khadra's Cœur D’amande

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The Role Of Readers’ Cultural and Linguistic Proximity in The Interpretation Of Arabic Folktales Translated into English

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