20th-Century Music in the Context of Structuralism and Constructivism: The Contributions of Arnold Schoenberg and Pierre Boulez

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The Revenge of the Female Hamlet: The Transformation of Tragic Discourse in Cultural Adaptation

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From Wagner to Metal Through Nietzsche: Dramatic Representation of Metal Music as Ritual, Sacrifice and Catharsis

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An Action Research on Otákar Ševčík Exercises in Individual Violin Education

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On Casey Cangelosi’s Composition Wicca for Solo Multipercussion

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A Qualitative Study on Turkish Composers’ Views on Artificial Intelligence and Composition

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The Kâr Form in the Ferahfezâ Makam: An Examination of Dede Efendi’s Musical Style

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Cultural Codes and Representation Dynamics in Diyarbakır Region Turkish Folk Music

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An Analysis of Erdal Erzincan’s Bağlama Performance Style: A Case Study of Dik Halay

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The “TMUBIS” Method in the Process of Learning Turkish Music Usul by Visually Impaired Individuals

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Technique and Pedagogy in Czerny-Germer, Volume I: Étude No. 21

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Computer Creativity In Mid-Twentieth Century Music Composition

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An Analysis of the Independence March Composed by Abdülkadir Töre in Terms of Prosody

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Quiet Luxury and Brand Building in Classical Music Institutions

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Traditional Musical Instruments Performed in Kyrgyz Folkloric Theatre

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The Historical Process of the Segah Maqam in the Context of Cantemir Understanding of Maqam

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An Analysis of Ernest Chausson’s Song Cycle Op. 13

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Evaluation of Makam-Based Etude Performances of State Conservatory of Turkish Music Students in Piano Courses

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Artificial Intelligence as a Medium: A Theoretical Study on the Transformation of Acting

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Comparison of Schoenberg’s Suite in the Old Style for String Orchestra with the Baroque Period Structure in Terms of Form

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