Framing Anxiety. Intermedial Techniques of the Uncanny

Subjects: “…Art - film and audiovisuals…”
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Ritual as Intermedial Interjection in Ritwik Ghatak’s The Cloud-Capped Star

Subjects: “…Art - film and audiovisuals…”
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The Crisis of Care and Uncanny Intersensuality in Sally Potter’s The Roads Not Taken

Subjects: “…Art - film and audiovisuals…”
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Rural Landscapes and Affective Encounters in Radu Muntean’s Film, Întregalde

Subjects: “…Art - film and audiovisuals…”
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The Uncanniness of Intermediality. Joanna Hogg’s Eerily Self-Reflexive Cinema

Subjects: “…Art - film and audiovisuals…”
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Media Representation and Affective Intermediality in Der Tote im Bunker and Vielleicht Esther

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Medium Specific Uncanny in Contemporary Video Games

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Uncanny (Inter)Mediality and Photo Futures

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Uncanny Colours of the Past. Phenomenological Notes on Remediation and Colourization of Black-and-White Footage

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Filial Care and Familial Postmemory. On the Uncanny and Affective Intermediality of Analogue Media Use in Recent European Documentaries

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Jane Austen and the Uncanny: The Colonial Past in Patricia Rozema’s Adaptation, Mansfield Park

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Pandora’s Myth and Cultural Trauma in Alex Garland’s Ex Machina

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You-Too: Mental Hygiene Methodology for College-Age Students

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The Stakeholder Spectrum. The History and the Current State of Participatory Film in Hungary

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Remake Bodony: Visual Participatory Action Research and Tiny Publics

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Displacements. Contexts for a Participatory Media Project

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Dance and the Mediated Immersive Flux in Carlos Saura’s Musical Hybrids with Live Feed

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The Power of Close-ups and the Poetics of Silence: The House is Black by Forough Farrokhzad

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Participatory Video in the Museum

Subjects: “…Art - film and audiovisuals…”
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The MyStreet Movement and Participatory Video

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