Strategies of Il/legibility: Lorraine O’Grady, Gayatri Spivak, and Visual Decipherment

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Amalia Mesa-Bains and the Archive: An Interview with the Artist

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The Struggle of Memory against Forgetting: Afterlife and Memorialization of Imagery Surrounding South Africa’s Truth and Reconciliation Commission

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Grandmother’s Garden, Artist Statement

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Documenting Gender's Signs: Site, Performance, and the US-Mexico Border in Contemporary Art

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Tito/Tata: Fiction and Factuality in Documentary Photographs of the Father Figure in Communist Yugoslavia

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Table of Contents

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Jozi Rhapsody: Tracing a City’s Legacy through Time

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Ground Maps of an Unknown Prospect

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Olympic-Scale Subversion: Poster Art, Architecture, Performance, and the Afterlives of Mexico 1968

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Editor's Letter

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I’m New Here: Black and Indigenous Media Ecologies: Curatorial Statement

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Thinking of Water as a Material Witness: An Attempt to Fill the Voids in the Archive of the Moscow Canal (1932–37)

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Introduction

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Synthesizing a Dual-Definition of Façade in the Western Palaces of the Yuanming Yuan: Art, Politics, and Place-making in the Garden of Perfect Brightness

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Neustadt a.d. Aisch

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Authoritative Forms

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The Somatic and Textural Language of Patricia Belli: Recrafting Social and Political Bodies in 1990s Nicaragua

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Review of An-My Lê: On Contested Terrain

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A Catalog of American Things

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