An Example of Acting Forms In Modern Greek Cinema, Yannis Economides

Subjects: “…Art - film and audiovisuals…”
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Examining Toxic Masculinity under the Guise of ‘Romance’ in Sandeep Reddy Vanga’s Hindi Films

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Interweaving Border Folklore and Cultural Identity: An Exploration of Sound Aesthetics in The Story of Southern Islet

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Locating the Cultural Geography of Kolkata's Cinema Para: From Single-Screen Film Theatres to Cinemallisation

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The Cinematic Narrative of Space and Ambiguity Interaction: The Case of the Film Arrival

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Baghdadi Street Life: Examining the Challenges of Representing and Recreating Baghdad in Interactive Documentary – A Practice-Based Case Study

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Mindspacing, Mental Health Discourse, and Midsommar (2019)

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Ethical Experience and Narrative Ambiguity in Contemporary Turkish Cinema: Hesitation Line

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Contemporary Memory Loss Narratives: Romanticized or Realistic?

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The representation of the Sociocultural Landscape of India through Bollywood cinema costumes from the early 20th to the 21st century

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The Representation of Racism in American Cinema: Critical Discourse Analysis of the Films Guess Who's Coming to Dinner and Get Out

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Childhood Trauma, Repression, and Feminist Reimagining Behind Locked Doors: The Witch, a film by Erman Bostan

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Get Busy Living: Leaping Out of Confinement with Kierkegaard in The Shawshank Redemption

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Numinous Matter: Time, Image, and the Sacred in Tarkovsky’s Cinema

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The Inscrutability of Providence in Tarkovsky's Stalker

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Not Yearning to Be Saved: Arranged (2007) and the Politics of Liberal Savior Narratives

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Contemplative Absence: Sacred Experience in Abbas Kiarostami’s The Wind Will Carry Us and the Aesthetics of Slow Cinema

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Southern by the Grace of God: Religion, Race, and Civil Rights in Hollywood’s American South

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Theology and the Films of Christopher Nolan: Cinematic Transcendence

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Bollypolitics: Popular Hindi Cinema and Hindutva

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