The Relation of Film, Literature, and Music: The Big Lebowski’s Soundtrack as a Means of Significance Beyond the Anglophone World

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Is She Still There?: Child Sex Trafficking, Traumatic Memory and Resilience in Mischa Marcus’ Film I Am Still Here

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An Investigation of the Relationship Between Violence and Emotion Perception: Evidence from Turkish Cinema

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Queer Cinema and Melodrama: A Perspective from Queer Directors

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Dementia, Cognitive Narratology, and Unreliable Narration in Florian Zeller’s The Father

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Oral History Study on Erotic Cinema: Turkish Cinema from 1974 to 1980

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Representations of Gothic and Spectral Identities in the Global South: A Study of Manichitrathazhu and its Adaptations

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Deconstruction of Chinese Masculinity, Adaptation of Hong Kong Gangster Films, and Political Criticism in Television Series The Knockout

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Use of ASMR Technique in Movies

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Symbolic Metaphors of Film Epidemic Narratives: A Comparative Study of Chinese and Foreign Epidemic Disaster Films

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Evaluating Turkish Comedy Cinema From the Perspective of a Female Audience

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Audiovisual Strategies and the Unity in Diversity Principle of the EU: A Cultural Dimensions Perspective on European and Turkish Cinema

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Zeki Demirkubuz as a Creator of Meaning: A Critique of the Film Hayat

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The Aesthetics of Imperfection: A Theoretical Evaluation of the Meaning Layers of Glitch Aesthetics in Communication Design and Cinema

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The Interrelation of TV-series and Interior Design in the Construction of Meaning: Cinematic Narratives and the Psychological Function of Space

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Review of Rated A: Soft Porn Cinema and Mediations of Desire in India

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Review of Architecture in Cinema

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Review of Exposing Vulnerability: Self-Mediation in Scandinavian Films by Women

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Review of Contemporary Art Cinema Culture in China

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Get Busy Living: Leaping Out of Confinement with Kierkegaard in The Shawshank Redemption

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