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DEATH, NATIONALISM, LANGUAGE AND REVOLT IN J. M. SYNGE AND WOLE SOYINKA - A THEMATIC STUDY
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- " Economics is a core social science subject offered by most science, art and social science students, but the students performance in the subject at final examinations has not been encouraging. This study therefore investigated the relationship of preferential treatment, class size and numerical ability with achievement in Senior Secondary Economics. The study is a survey and a sample of300 senior secondary school students were selected from two local governments of Ogun East senatorial district, using multi-stage cluster sampling technique. Three valid and reliable instruments were used for data collection and these are: The Student Preferential Treatment Scale (SPTS),Numerical Ability Test (NAT) and Economics Achievement Test (EAT). Four research questions were raised and answered in this study. Data collected were analysed using both descriptive and inferential statistics. The results revealed that all the independent variables were positively correlated to the Economics achievement test in Economics. The findings also revealed that the three predictors jointly correlates positively with students' performance in Economics. Based on the findings of the study, it is recommended that the studen ts-teachers ratio should be improved upon, parents and teachers should assist students to develop their mathematical ability." 1 results 1
- 'Theatre Arts' is essentially a visual arts discipline in which the elements of architecture, scenography and technology play very significant roles. However, these areas and aspects have suffered neglect, in the past, in the arena of Nigerian scholarship. Consequently, the present study aims at a historico-critical evaluation, analysis and documentation of the development and functions in the contemporary Nigerian theatre, as witnessed especially in and at Ibadan in the past twelve decades in broad terms and since 1948 (the founding year of the University of Ibadan) in particular. If there was in the pastan authentic African (especially Nigerian) theatre, then there ought to have been a corresponding typical and unique African theatre performance space form. Therefore there is a need to rediscover that form. But if the traditional African-particularly Nigerian theatre had had no unique and typical performance stage or space form, other than the village square, market place and the Kings' palaces, then it has to be accepted that the modern (present-day) architectural theatre forms of Africa and in particular of Nigeria have been imposed or have evolved from the cross currents of contacts with Western civilization and foreign influences and, therefore, they are basically foreign and of non- African origin. Consequently, the present search for a new theatre form, architecturally, would yield better results if the merger of the traditional and western modern architecture employing modern technology in equipping them to achieve flexibility, adaptability and timelessness could be pursued. In order to achieve that, what one has to do now is to critically examine the functionality of the present spaces and modify or refurbish them to suit the demands of the contemporary Nigerian theatre. However, most ideal would be the conception, design and realisation of new structures along the lines of new and long attested aesthetic principles and the results of technological researches arising from age-old experiments, new aspirations, current trends and future speculations. Since the arts and the sciences have always been the bedrock of human spiritual, psychological and economic development, and since technology has always aided the attainment of socio-political growth, technology, borrowed or developed, invented or transferred, has a great role to play in the development of Nigerian theatre. Hence, the investigation of its impact in the Nigerian theatre is a necessary and perhaps an inevitable task. The objects of the study are contained in an Introduction covering the purpose, scope, limitation, Overview of Literature, Methodology and Definition of Terms: while the findings in the three respective areas are presented in nine Chapters. Chapters One to Three contain review of literature, overviews of studies and projects in the three areas of study. Chapters Four and Five present, in chronological order, the historical development of theatre in Europe, America, Asia and Africa, especially Nigeria. Chapter Six looks at the genesis of theatre education, scholarship and practice, especially in the western world and recommends a model of training and desirable lines for the future development of theatre in Nigeria. Chapter Seven considers concepts and aesthetics of theatre arts forms and styles and relates these to the contemporary Nigerian theatrical endeavours, especially in the scenographic spheres. Chapter Eight treats the analysis, scenographic and technological executions of the production of the selected illustrative plays. Chapter Nine pursues the search for new physical theatre forms in their various parameters for Nigeria and examines the present state of the physical theatre structures and venues in and at Ibadan. The thesis sees architecture, scenography and technology as prime levers of the development of theatre arts in Nigeria. 1 results 1
- Abstract Introduction: The occurrence of hypertension in people living with human immunodeficiency virus/ acquired immunodeficiency syndrome (PLWHA) on antiretroviral therapy (ART) is increasing. In Nigeria, where the national human immunodeficiency virus (HIV) prevalence is 1.4%, an estimated 700,000 PLWHA are on ART. We investigated the prevalence of hypertension and associated factors among adults on ART in Owo, Ondo State Material and methods: A retrospective study with 300 PLWHA on ART in Federal Medical Centre, Owo, was conducted. Hypertension was defined as systolic blood pressure (SBP) ≥ 140 mm Hg and/or diastolic blood pressure (DBP) ≥ 90 mm Hg. Descriptive statistics were performed. Chi-square tests were used to identify associations between sociodemographic/clinical parameters and hypertension. Odds ratio and adjusted odds ratio were used to examine risk factors associated with hypertension. Results: The mean age of PLWHA was 38.3 years (SD, 10.4) and 33.7% were males. Median duration on ART was 6 years (range, 0.5-15). The prevalence of hypertension was 20.3%, with 25.7% in males and 17.5% among females. The prevalence of hypertension before commencing ART was 14.7% and 20.3% after ART was commenced (p = 0.043). Mean SBP was 110 ± 16 mm Hg before ART use and 118 ± 18 after utilization of ART (p < 0.001). Hypertension before commencing ART was associated with age of 38 years and above (OR: 2.7; 95% CI: 1.3-6.8). Amongst PLWHA, hypertension after com mencing treatment was associated with being previously hypertensive (AOR: 9.2; 95% CI: 4.5-18.6). Conclusions: HIV treatment programs should include screening and management of hypertension. Screening and assessment of risk factors were directed at PLWHA diagnosed with hypertension before commencing ART, while routine check of blood pressure was evaluated at subsequent visits. HIV AIDS Rev 2020; 19, 3: 199-205 DOI: https://doi.org/10.5114/hivar.2020.99681 Key words: HIV, anti-retroviral therapy, PLWHA, hypertension among PLWHA. 1 results 1
- Alarinjo 1 results 1
- An outcome of European, especially Christian missionary, incursion into African societies is the emergence of new social groups and new contexts for musico-cultural performances. Social change did not only trigger a modification of existing musical forms, it also facilitated the appearance of new ones; one of which is gbókùs music among the Yorùbá of Nigeria. In spite of its popularity at social ceremonies, the genre has received little scholarly attention. Adopting the theory of diffusion of innovation, this paper traces the evolution of gbókùs music in Yorùbá society from its formative stage as Boys Brigade parade music to its transitory period as a social music for funeral processions. The music was initially characterized by performances aimed at promoting Christian evangelistic activities until its development into full maturation aided by socio-economic factors from within and outside the church setting. The paper submits that gbókùs music represents a creative continuum of a mutated musical art within the normative contemporary African cultural production framework. 1 results 1
- Art - Theatre 1 results 1
- As the rapid evolution into a globalised community progresses, translation across languages becomes a major tool of cross cultural and transnational negotiation. This study is conceived more as a translation of the libretto of Hubert Ogunde’s Ay for archival and literary purposes. This is with the understanding that as the contemporary world continues to move centripetally towards globalisation, translation across languages becomes more important than ever. The significance of Hubert Ogunde’s works as precursor to the Nigerian Operatic Alarinjo (Travelling) theatre can only be preserved in translated forms that makes the performance texts retrievable. This paper is divided into four parts : an introduction to the opera of the Alarinjo School,a synopsis of the opera, an inclusion of a picture of the translator with Hubert Ogunde’s statue standing before the drum he played in his life time, a sequential arrangement of the full music of the opera as produced by Hubert Ogunde in his earliest performance of the opera on stage and the translation of the full music of the opera by this author - Adedoyin Aguoru.Hubert Ogunde’s theory, art and performance defined the earliest professional theatrical movement in Nigeria. The preservation of this national theatrical form through translations and storing it in a retrievable format will enhance the preservation of this national treasure. 1 results 1
- Background. AIDS Clinical Trial Group 5199 compared neurological and neuropsychological test performance of human immunodeficiency virus type 1 (HIV-1)–infected participants in resource-limited settings treated with 3 World Health Organization–recommended antiretroviral (ART) regimens. We investigated the impact of tuberculosis (TB) on neurological and neuropsychological outcomes. Methods. Standardized neurological and neuropsychological examinations were administered every 24 weeks. Generalized estimating equation models assessed the association between TB and neurological/neuropsychological performance. Results. Characteristics of the 860 participants at baseline were as follows: 53% female, 49% African; median age, 34 years; CD4 count, 173 cells/μL; and plasma HIV-1 RNA, 5.0 log copies/mL. At baseline, there were 36 cases of pulmonary, 9 cases of extrapulmonary, and 1 case of central nervous system (CNS) TB. Over the 192 weeks of follow-up, there were 55 observations of pulmonary TB in 52 persons, 26 observations of extrapulmonary TB in 25 persons, and 3 observations of CNS TB in 2 persons. Prevalence of TB decreased with ART initiation and follow-up. Those with TB coinfection had significantly poorer performance on grooved pegboard (P < .001) and finger tapping nondominant hand (P < .01). TB was associated with diffuse CNS disease (P < .05). Furthermore, those with TB had 9.27 times (P < .001) higher odds of reporting decreased quality of life, and had 8.02 times (P = .0005) higher odds of loss of productivity. Conclusions. TB coinfection was associated with poorer neuropsychological functioning, particularly the fine motor skills, and had a substantial impact on functional ability and quality of life. 1 results 1
- Background: Molluscum contagiosum (MC) infection is caused by a pox virus and the virus is probably passed on by direct skin-to- skin contact which may affect any part of the body. There is anecdotal evidence associating facial lesions with HIV-related immunodeficiency. This study was aimed to determine the prevalence and associated risk factors of Molluscum contagiosum infection among PLWHAs attending ART clinic at the University College Hospital, Ibadan, Nigeria. Methods: This is a descriptive cross-sectional survey of 5,207 patients (3519 female and 1688 males) attending ART clinic between January 2006 and December 2007. Physicians performed complete physical and pelvic examinations. Diagnosis of Molluscum Contagiosum infection was based on the clinical findings of typical lesions on the external genitalia, perianal, trunk, abdominal and facial regions. Results: The mean age of the patients was 34.67 yrs. ± 9.16). About 10% (542) had various sexually transmitted infections (STIs). The male to female ratio was 1: 4.2. One hundred and twenty seven subjects (23.4%) had no formal or primary education with 247 (45.6 %) being treatment naive while 295 (54.4 %) were treatment experienced. Of the 542 PLWHAs with STIs, 3.3 % had undetectable viral load (< 200 copies/ ml) while 272 (50.1 %) had low CD4 count (< 200 cells / mm3.) and The Mean log10 viral load was 5.02 ± 0.94. Molluscum Contagiosum infection was diagnosed in 13 patients (0.024%; 8 females and 5 males). Vaginal Candidiasis was the commonest genital infection diagnosed in 223 (41.1%) of the patients with STIs. MC patients had higher viral load, lower CD4 count and more likely to be treatment experienced”. Conclusions: Molluscum Contagiosum infection is not uncommon among the HIV-infected patients, but underreported. Awareness of this cutaneous manifestation should be known to Physicians in AIDS care. 1 results 1
- Biomass yield 1 results 1
- Book Editing 1 results 1
- Boys Brigade Music (BBM) 1 results 1
- Classroom design 1 results 1
- Cognitive impairment 1 results 1
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- Environmental Science and Sustainable Development : International Journal Of Environmental Science & Sustainable Development 2 results 2
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