Limited possibilities : agency and subaltern subjectivity in four South African allegories by Fick, Angelo Carlo

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Limited possibilities: agency and subaltern subjectivity in four South African allegories by Fick, Angelo Carlo

“…This thesis examines the representation of the negotiation of black women's subjectivity in four South African allegorical novels. Using aspects of postmodern discourse, and feminist and postcolonial literary and cultural theories on identity formation and subjectivity, I propose that it is in the allegorical mode that the four writers are able to offer black women as female gendered subalterns the space to negotiate subjectivity and to assert agency. …”
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The South-West African frontier and the unification of South Africa, 1883-1915

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A social history of African dog-owners in Zimbabwe, 1890-2018 by Dande, Innocent

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Intergovernmental relations reform in a newly emerging South African Policy

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Performing Methods of Undress towards a Re-Imagined African Masculine Identity by Mabitsela, Lesiba

“…The suit/blazer has become a symbol of morality, power, and class that has centred its position via the violent legacy of colonialism and slavery or as Edward Said defines these legacies, via notions of “cultural imperialism”. The purpose of this paper is to inquire whether an aesthetic change from this ideological legacy would ultimately lead to a change in African masculine embodiments. …”
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Divided we stand : the origins of separation in South African rugby 1861-1899

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A man for all reasons : an economic and political biography of Sir Abe Bailey, 1864-1940 by Steinke, Katherine

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How South African teachers make sense of language-in-education policies in practice

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Characterization and pathogenicity of South African isolates of Fusarium oxysporum f. sp. melonis by Schreuder, Wouter

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The failure of Pan-Africanism : a critical analysis of the AU's collective withdrawal strategy

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Precarity and Resilience: An Ecofeminist Reading of the African Child in Fiction by Contemporary Women Writers by Shiyoka, Selma Kauna

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#Afrikaansmustfall, decolonial impulses and the persistence of western ideological power in South African legal education

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Being dark and foreign: a study of race in New Delhi's African student population by Rosochacki, Sophia Olivia

“…This thesis presents a qualitative study of the experience of social discrimination faced by a group of African students living and studying in New Delhi, India. …”
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Gegen-Stimmen/Gegen-Blicke : Zeitgenössische literarische (De-)Konstruktionen deutsch-afrikanischer Identitäten by Schneider, Stefanie Maria

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Late Ottoman Perspectives on the South African War (1899-1902): the Work of Ismail Kemal Vlora by Karadağ, Esma

“…This work aims to grasp the understanding of imperialism and civilisation by the pro-British Ottoman intelligentsia, by looking at their attitude towards the South African War of 1899-1902. …”
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This is Africa: Whiteness and Representations of the other recent Hollywood Films by Swank, Allison

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"Good citizens and gentlemen" : public and private space at the South African College, 1880-1918 by Swartz, Rebecca

“…This thesis examines the nature of the distinction between public and private space at the South African College (SAC) between 1880 and 1918. By viewing the College within increasingly wide lenses of analysis, examining the micro-level of student experience, to situating the College within its immediate, national and imperial location, the thesis indicates the ways in which institutions should be seen as products of, and permeable to, their historical contexts. …”
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Deneys Reitz (1882 – 1944) : krygsman, avonturier en politikus (Afrikaans)

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Relationality and theories of the gaze: an analysis of the black female body archetype in the work of contemporary African artists by Friar, Taylor

“…Through exploring scopophilia and different theories of the gaze – imperial, colonial and ethnographic – this thesis uniquely proposes a shift towards an empathetic gaze when considering the representation of Black women in art, given the violence tied to these traditional modes of looking. …”
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