From the Iliad to the Troy Sonata: Conceptual Blending Theory

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An Analysis of the Contemporary Performance of Dimitri Cantemir’s Bestenigâr Peşrev Using the Shahrud, a Bass-Frequency Instrument of 16th-Century Turkish Music

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An Examınation of Performance Features of “Dügâh Kâr” Performed by Meral Uğurlu

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Vertragen

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Optimal and Efficient Algorithms for Decentralized Online Convex Optimization

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Reflection as interference. Eleven thoughts on artistic research as an interruptive practice

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Ruimte voor transdisciplinariteit. Een plek voor niet-artistieke onderzoekers binnen het ecosysteem van een kunsthogeschool

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I’m sorry I made you feel that way. Exploring empathy and well-being through virtual bodies and generative AI

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SOOT. WE GROW MUSIC!

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Pad – portal – plaats. Over het virtuele model als performatieve ruimte

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Situeren, sensitiveren, speculeren. Artistieke strategieën in de transdisciplinaire context van ON the LINE

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(RE)REGISTERED

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How to approach and engage with underwhelming landscapes. Methods developed in the artistic research project Land-shapes, Sooth-scapes

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Acta est fabula, plaudite! Acting silly as a way of doing research – Being silly as a way of life

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Anthony Braxton’s Ghost Trance Music meets Rosas Toolbox. Insights behind a unique artistic crosspollination, a conversation with Marie Goudot and Michaël Pomero (Rosas)

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Characterizing Dynamical Stability of Stochastic Gradient Descent in Overparameterized Learning

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Kunstenaars denken (met of zonder academisering)

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To hope!

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Outside the rules, outside the boundaries

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Educatief onderzoek in de kunsten. Een praktijkgebonden en nomadisch perspectief

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