Refract Journal, Volume 4: Document/ary Full Issue

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Visualizing Precarity and Security: Mona Hatoum’s Drowning Sorrows and Guadalupe Maravilla’s Walk on Water

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Denis Diderot’s “Salons” as Art Conservation in Eighteenth-Century France

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Memory Matter(s)

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Front Matter

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Photogrammetry and Zhongshan Pavilion: Reconstructing Urban Memory of the Wenxi Fire

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The Televised Apocalypse

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The Trophy and The Appeal: Colonial Photography and the Ghosts of Witnessing in German Southwest Africa

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Degree of Interference: A General Framework For Causal Inference Under Interference

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Douce Mélancholie: Sonic Negotiations of Absence in the Works of Susan Philipsz and Félicia Atkinson

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Floodplain (126)

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It's Like She Had Never Existed: The Family Story and the Assembly of Disability

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Traces, Fragments and Voids: An Artist Representing Detroit's Vanishing Homeland

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Mere Image: Caravaggio, Virtuosity, and Medusa’s Averted Eyes

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The Face of an Empire: Cosmetics and Whiteness in Imperial Portraits of Queen Elizabeth I

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White Shoals, White Shrouds: Reflections on the Ethics of Looking at Captive Bodies

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Visualizing Banaba: Art and Research about a Diffracted Pacific Island

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My Love to Be Defused: Beginnings of an Ethics of Belonging through Negotiations of a National Socialist Image in Daily Life, from Infancy to Adulthood (Excerpts from Diaries Now T...

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Introduction to “Hauntings and Traces”

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Quantifying the Effectiveness of Linear Preconditioning in Markov Chain Monte Carlo

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