Listening with Edible Plants in Sonic Art

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Invariant Subspace Decomposition

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Electroacoustic Composition Process as Com-position

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Repurposed Objects, Social Objects: Towards a Social Organology in Technology-based Music

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Alice Shields’ Apocalypse and the Beginnings of Electronic Opera

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Didactic Changes in Sound Compositions with Synthesizer Apps

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Co-Creative Spaces

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Algorithmic Composition by Autonomous Systems with Multiple Time-Scales

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Test

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New Materialist Approach to East–West Distinction: South-Eastern Europe Musics

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Harmony in Diversity: Historical Foundations of a Shared Culture of Music and Ethno-Religious Interaction in the Ottoman Balkans

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Posterior Concentrations of Fully-Connected Bayesian Neural Networks with General Priors on the Weights

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Two Song Festivals in Kosovo: Akordet e Kosovës and the RTK Song Festival – Historical Narrative, Continuity, and Transformation (1960s-2020s)

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Between Ottoman Legacy and Hybrid Dance Identity

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Serbian Newly-Composed Folk Music of the 1960s-1980s in Post-Yugoslav Diaspora as a Dissonant Heritage

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Strategic Rituals and Symbolic Power: Henna Nights as Cultural Performance in Novi Pazar

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The Transformation of Balkan Music and Dance in the Context of Globalization, Modernization, and Digitalization: An Analysis of Aesthetic, Social, and Economic Dimensions

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Echoes of Identity: The Role of Patriotic Songs in the Soundscape of Resistance during the Macedonian Identity Protests (2017-2023)

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Reflections on Dance Identity Migrant Performing Bodies – Identity Guardians

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Bioinformatics analyses of evolution in the tune families of similar folk songs from Macedonia

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