<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" href="/themes/root/assets/xsl/rss.xsl"?>
<rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/">
  <channel>
    <title>Results for Versions - oai:open.uct.ac.za:11427/40065</title>
    <description>Showing 1 - 3 results of 3</description>
    <generator>Laminas_Feed_Writer 2 (https://getlaminas.org)</generator>
    <link>https://search.frelip.org/Search/Versions?sort=last_indexed+desc&amp;limit=50&amp;id=oai%3Aopen.uct.ac.za%3A11427%2F40065&amp;search=versions&amp;lng=en</link>
    <opensearch:totalResults>3</opensearch:totalResults>
    <opensearch:startIndex>0</opensearch:startIndex>
    <opensearch:itemsPerPage>50</opensearch:itemsPerPage>
    <opensearch:Query role="request" searchTerms="oai%3Aopen.uct.ac.za%3A11427%2F40065" startIndex="0"/>
    <atom:link rel="first" type="application/rss+xml" title="Go to First Page" href="https://search.frelip.org/Search/Versions?sort=last_indexed+desc&amp;limit=50&amp;view=rss&amp;id=oai%3Aopen.uct.ac.za%3A11427%2F40065&amp;search=versions&amp;lng=en"/>
    <atom:link rel="last" type="application/rss+xml" title="Go to Last Page" href="https://search.frelip.org/Search/Versions?sort=last_indexed+desc&amp;limit=50&amp;view=rss&amp;id=oai%3Aopen.uct.ac.za%3A11427%2F40065&amp;search=versions&amp;lng=en&amp;page=1"/>
    <atom:link rel="self" type="application/rss+xml" href="https://search.frelip.org/Search/Versions?sort=last_indexed+desc&amp;limit=50&amp;view=rss&amp;id=oai%3Aopen.uct.ac.za%3A11427%2F40065&amp;search=versions&amp;lng=en"/>
    <item>
      <title>A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.</title>
      <pubDate>Wed, 10 Jun 2026 12:35:39 +0000</pubDate>
      <link>https://search.frelip.org/Record/oai:open.uct.ac.za:11427%2F40065</link>
      <guid>https://search.frelip.org/Record/oai:open.uct.ac.za:11427%2F40065</guid>
      <author>Pienaar, Sarah Johanna</author>
      <dc:format>Thesis</dc:format>
      <dc:date>2024</dc:date>
      <dc:creator>Pienaar, Sarah Johanna</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.</title>
      <pubDate>Wed, 10 Jun 2026 12:33:04 +0000</pubDate>
      <link>https://search.frelip.org/Record/oai:open.uct.ac.za:11427%2F40236</link>
      <guid>https://search.frelip.org/Record/oai:open.uct.ac.za:11427%2F40236</guid>
      <author>Pienaar, Sarah Johanna</author>
      <dc:format>Thesis</dc:format>
      <dc:date>2024</dc:date>
      <dc:creator>Pienaar, Sarah Johanna</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
    <item>
      <title>A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.</title>
      <pubDate>Wed, 10 Jun 2026 12:32:03 +0000</pubDate>
      <link>https://search.frelip.org/Record/oai:open.uct.ac.za:11427%2F40070</link>
      <guid>https://search.frelip.org/Record/oai:open.uct.ac.za:11427%2F40070</guid>
      <author>Pienaar, Sarah Johanna</author>
      <dc:format>Thesis</dc:format>
      <dc:date>2024</dc:date>
      <dc:creator>Pienaar, Sarah Johanna</dc:creator>
      <slash:comments>0</slash:comments>
    </item>
  </channel>
</rss>
