Similar Items: The Development of a Violinistic Idiom in Early Violin Music: Violin Music and its Composers in the Early 17th Century in Italy
- Technical considerations of grading violin repertoire
- Violin playing : teaching freedom of movement
- Teaching violin holistically: towards a deeper understanding of the Colourstrings violin approach
- Sergei Prokofiev’s violin concerto no. 1: exploring aspects of tone production, bowing, and left-hand technique
- Orchestral auditions for violinists: strategic aspects of preparation
- A multidisciplinary study of the phenomenon of violin vibrato
Author: Sandmeier, Rebekka
- Schubert s dramatic Lieder to Poems by Goethe: Technical and interpretive decision-making from a lyric baritone s perspective
- Samuel Pepys' reception and perception of vocal music in seventeenth-century England : an analysis of selected diary entries from 1660 until 1669
- A performance guide of J.S. Bach's viola da Gama sonatas transcribed for viola
- The history of the clarinet in South Africa
- Aspects of George Philipp Telemann's Nouvelaux quatuors, in particular their possible influence on the conversations galantes of Louis-Gabriel Guillemain
- Conquering the Cape: the role of domestic keyboard instruments in colonial society and the colonisation process