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The empowered body : creative expression as a force for personal transformation
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The dissection: An examination of the printmaking tradition as a means to reconsider the relationship between the human body and its representation
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Matter, metaphor and meaning : the precariousness of the reality value of the representational status of Zwelethu Mthethwa's photography
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At sea : documentation and commentary on the body of practical work submitted for the degree of Masters of Fine Art
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Between echoes an experiment in creative collaboration
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Body of evidence
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Dust imagined : a creative reflection on mortality, anxiety and process
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Fashionable addiction : the impact of digital identity through the cult of the body (an African perspective, with particular reference to the Democratic Republic of Congo)
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Surface tension: permeability, the body, and installation
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Identity : a study of representation with reference to District Six
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An irreal realm: painting as a means of reflecting on oneirism
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The pioneering spirit in the face of mystery : a creative exploration of phenomena pertinent to the information age in a systems paradigm
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A series of sculptures based on a creative investigation of the imagery and formal qualities inherent in selected mechanical structures
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Video, memory and identity : my body, my history
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An investigation into the interrelationship between the formal means of collage and assemblage and the painted surface
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Salvaging meaning : exploring the language of inflatable kinetic sculptures and the materiality of plastic
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The female nude: a sculptural investigation of variations of meaning and imagery in the Western tradition
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Working Remains
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Intramediary presence : body, interactivity and networked distribution in immersive virtual reality art
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Representations of the Black subject in Irma Stern's African periods : Swaziland, Zanzibar and Congo 1922-1955
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Kwasuka Sukela: re-imagined bodies of a (South African) 1990s born woman
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Native work : an impulse of tenderness
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Masters, master, masturbate (a master's debate) - relooking at the home, body and self through seventeenth century Dutch still life painting
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The impossible paradigm: an approach to producing knowledge
