Channels Comparing Secco Recitative Accompaniment by Contemporary Cellists and Cellists in the 19th Century: A Study of Social and Cultural Assumptions
Reflection in and on practice: a cellist’s search for meaning
Cellists’ experiences of learning and teaching body mapping for musicians: an interpretative phenomenological analysis
"The Accompaniment in 'Unaccompanied' Bach: Interpreting the Sonatas and Partitas for Violin," by Stanley Ritchie
The Life and Works of Gedikpaşalı Yahyâ Nazim Efendi, One of the Important Names of 17th Century Turkish Music
"Orchestral Conducting in the Nineteenth Century," edited by Roberto Illiano and Michela Niccolai
EXAMINATION OF PEPE CARTOON FROM TURKISH MUSIC CULTURE
Strategic Rituals and Symbolic Power: Henna Nights as Cultural Performance in Novi Pazar
Human Capital and Cultural Resilience: Sulukule Entertainment Houses as an Alternative Urban Economy
Inspired by the past : a practical guide for cellist and other string players to the execution of Baroque music on modern instruments with special reference to the Six Suites for Solo Cello by J. S. Bach
Harmony in Diversity: Historical Foundations of a Shared Culture of Music and Ethno-Religious Interaction in the Ottoman Balkans
Repurposed Objects, Social Objects: Towards a Social Organology in Technology-based Music
The Transformation of Balkan Music and Dance in the Context of Globalization, Modernization, and Digitalization: An Analysis of Aesthetic, Social, and Economic Dimensions
A systematic literature review of methods to describe the stereo image of recorded music
"The Rameau Compendium" by Graham Sadler
Test
"Beyond the Score: Music as Performance" by Nicholas Cook
"Playing the Cello, 1780-1930" by George Kennaway
"Clavichord for Beginners" by Joan Benson
"Werke für Klavier zu vier Händen" by Franz Schubert, Kassel: Bärenreiter, 2013
"Manuscripts and Medieval Song: Inscription, Performance, Context" by Helen Deeming and Elizabeth Leach
"The Art of Re-enchantment: Making Early Music in the Modern Age," by Nick Wilson
"Performance Practices in Johannes Brahms's Chamber Music" by Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth
"Composers’ Intentions?: Lost Traditions of Musical Performance," by Andrew Parrott
"Performance Practice in the Music of Steve Reich," by Russell Hartenberger
