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Expanded Memories: Artistic Experiments into Hybrid Analogue-Digital Animation
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I love you to death : the voice of the woman artist : sex, violence, sentimentality
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Score Review: Rameau, Jean-Philippe. "Les Indes galantes" and "Daphnis et Eglé."
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Teaching Phillis Wheatley (Peters) as a Working Artist
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Hamlet's Last Act: Artist's Statement
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Grassroots festivals and film activism: Palestine Film Festivals in the UK
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Redefining the griot : a history of South African documentary film
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The study of the structure of artistic revolution
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Philosophy of Lyric Voice: The Cognitive Value of Page and Performance Poetry
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The Power of Close-ups and the Poetics of Silence: The House is Black by Forough Farrokhzad
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Art and book : a commentary on artists' books
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Animating in British Communities During the Lockdown
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The Voice as a Coordinated Bodily System: Embodied Learning, Anatomy, and Vocal Pedagogy
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Towards a Materialist Theory of Animated Documentary
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Challenging the hand : critical confrontations of female craft and animal artefact in post-apartheid visual art
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Yefim Gamburg’s Passion of Spies: Parody in Soviet Animation
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Adorning Bodies: Meaning, Evolution, and Beauty in Humans and Animals
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Introduction Part 2: The Animal in Ireland - Real and Imagined
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Between the Local and the Global: Animality in the Poetry of Jane Clarke
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Literature Teaching Perspectives on ‘The Animal in Ireland – Real and Imagined’
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Rhizomes and ruptures: Theorising extended reality, disability, and film festivals
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Lukas Kühne’s Tvísöngur: Sculpture for a Concrete, Uncompressed Voice
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The role of professional artistic practice in the pedagogy of artist-teachers in Cape Town
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The role of professional artistic practice in the pedagogy of artist-teachers in Cape Town
