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Introduction Part 2: The Animal in Ireland - Real and Imagined
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Re-imagined spaces: An investigation of space, place and animal encounters in the visual arts
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Review of Community Relations and the Troubles in Northern Ireland: A Policy History, by Joana Etchart
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Review of An Accidental Villain: Sir Hugh Tudor, Churchill's Enforcer in Revolutionary Ireland, by Linden MacIntyre
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Review of The Irish against the War. Postcolonial Identity & Political Activism in Contemporary Ireland, by Marie-Violaine Louvet
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Teaching Phillis Wheatley Peters’s Morals on Words and Actions in American Literature to 1860
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Teaching Phillis Wheatley Peters’s “On Being Brought from Africa to America” for the First Time in an Online Undergraduate Women’s Literature Course
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Animating in British Communities During the Lockdown
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Towards a Materialist Theory of Animated Documentary
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Between the Local and the Global: Animality in the Poetry of Jane Clarke
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Yefim Gamburg’s Passion of Spies: Parody in Soviet Animation
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Adorning Bodies: Meaning, Evolution, and Beauty in Humans and Animals
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Expanded Memories: Artistic Experiments into Hybrid Analogue-Digital Animation
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Animals in Early Modern Histories of Music
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“The Emotions that Get Stuck in Your Throat”: Expressivity in Speech, Script, and Sound in Japanese Animation
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Makings of imagination in alternative cultural spaces in Cairo
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Out of sight : re-imagining Graaff's pool
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Hand of Artist, Voice of Griot: A Poetics of African Animation in the Films of Jean-Michel Kibushi
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Toward a New Media Ecology: Aesthetic Experiments in Post-Socialist Chinese Animated Documentaries
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Re-inventing Shakespeare’s Pericles, Prince of Tyre for Immersive Animation: A Practice-oriented Case Study
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Re-imagining learning and teaching art: exploring embodied mark-making with foundation phase student teachers at Cape Peninsula University of Technology
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“I Am Alive in Here”: Liveness, Mediation and the Staged Real of David Blaine’s Body
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Review of Race in Irish Literature and Culture, by Malcolm Sen and Julie McCormick Weng
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Re-presenting historical trauma: art-making and the affective imagination