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Re-constructing identity through language and vision in Margaret Atwood's Surfacing and Cat's Eye
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Representations of slave subjectivity in post-apartheid fiction : the 'Sideways Glance'
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Masters, slaves and spiritual sexuality
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Truth, history and representation in Margaret Atwoods' Alias Grace
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(Dis)Remembering the slave mother: shame, trauma, and identity in the novels of Michelle Cliff and Zoë Wicomb
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Film spectatorship and subjectivity : semiotics, complications, satisfactions
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A 'long defence against the non-existent' : Englishness in the poetry of Phillip Larkin
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Bestiaries the animal and the human in Mila Kundera's The Unbearable Lightness of Being and J.M. Coetzee's Disgrace
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Beyond reason: revising the place of literature in theories of the uncanny
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The politics of visuality in Beloved and The Colour Purple
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The Language of Love and Desire: Convention, Affect, and Intimacy in the Contemporary Romance
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Stories "lodged in goods": Reading the thing-culture of the Thousand and One Nights
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Becoming “so terribly altered”: Reading transformations of the self in “The Fall of the House of Usher”
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The common reader and the modernist Bildungsroman : Virginia Woolf's The Waves
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Responsible responding: the ethics of a literary criticism of the Other
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Whose story is it anyway? The ethics of narration and the narration of ethics in Summertime and Die Sneeuslaper
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Meditations on culture, land, and memory in the drama of the new South Africa
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Afterlives: resurrecting the South African border war
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Devouring the father: family and recuperation in Triomf and the Native Commissioner
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Re-imagining the past, negotiating the present: the lived diasporic experience in S.J. Naudé and Jaco van Schalkwyk's fiction
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Decentring the Black Atlantic : marginalised subjectivities in the neo-slave narrative
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The triumph of the (m)other : the feminine dichotomy in "Sleeping Beauty"
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Growing Queer: youth temporality and the ethics of group sex in contemporary Moroccan & South African literature
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European duplicity and an occidental passion : Graham Greene and the limits of cultural translation