Channels :: FRELIP Discovery

Author: Campbell, Kurt

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Portable Heritage: perspectives on white mobility in post-apartheid South Africa

Similar Items: Portable Heritage: perspectives on white mobility in post-apartheid South Africa

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Practices of Listening: (Re)percussions of Sound, Silences and Censorship from (Post-)Apartheid South Africa
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Stranger's Location: Interrogating Apartheid Spatial Legacies and the Idea of Home in New Brighton
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Post- Print: a moment of compression
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A space between : contemplating the post-Holocaust subject
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An electronic laager: a sculptural interpretation of post-industrial society's cybernetic order
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Separate amenities : topographics of recreational spaces in South Africa
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The grapes of wrath : sculpture as socio-political critique in South Africa
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Culture, Commerce and Value: The Contemporary South African Fine Art Market in Relation to Concepts of Artistic and Financial Success
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Leisure Island: An Investigation of Suburban Landscapes and Domestic Spaces in South Africa
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Fashionable addiction : the impact of digital identity through the cult of the body (an African perspective, with particular reference to the Democratic Republic of Congo)
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Looking South African: tracing the relationship between national pavilion and nation in South Africa s history at the Venice Biennale
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Contemporary Art Museum Education in the United States of America and South Africa: A retrospective analysis and proposals for the future
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Double agents : queer citizenship(s) in contemporary South African visual culture
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Elisions and lacunae: aspects of South African landscape in relation to public and private identities
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Kwasuka Sukela: re-imagined bodies of a (South African) 1990s born woman
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Letting things speak: a case study in the reconfiguring of a South African institutional object collection
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Tracing the passion of a black Christ: critical reflections on the iconographic revision and symbolic redeployment of the Stations of the Cross and Passion cycle by South African artists Sydney Kumalo, Sokhaya Charles Nkosi and Azaria Mbatha
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Gutter Pop
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Just Don't Know How She Does It: a Feminist's Showroom of Subversive Machinations
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Unravelling: Photographic Explorations Of Mending The Forest
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Fixing the Shadows: A photographic exploration of beginnings and endings
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An investigation into the interrelationship between the formal means of collage and assemblage and the painted surface
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Studio Notes
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Exploring the lived experiences of primary caregivers of children with visual impairment from a low- and middle-income context in the Western Cape Province