Full Text Available
Note: Clicking the button above will open the full text document at the original institutional repository in a new window.
In this research I consider ways in which black South African artists working during and after apartheid have both revised and symbolically redeployed the Stations of the Cross - and more broadly, the iconographic tradition of the Passion cycle. In so doing, I demonstrate the strategic application o...
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Thesis |
| Language: | English |
| Published: |
Michaelis School of Fine Art
2017
|
| Subjects: | |
| Tags: |
No Tags, Be the first to tag this record!
|