-
Once upon a time in the veld: South Africa westerns in context
-
Once upon a time, here and now and forever after : a narrative on abuse
-
The Boehm flute : its antecedents and its influence upon the repertoire
-
The Boehm flute : its antecedents and its influence upon the repertoire
-
Postmodernistiese elemente in enkele dramas van Pieter Fourie
-
Artistic experimentation through decolonial sound projects for clarinet
-
Regulating for the equitable remuneration of music artists in Kenya
-
Terry Pratchett and the Johnny Maxwell Trilogy : death, war and laughter
-
In search of the "true" sound of an artist : a study of recordings by Maria Callas
-
The role of music, performing artists and composers in German-controlled concentration camps and ghettos during Word War II
-
Cuban Artist, Leo Brouwer, and his solo guitar works: Pieza Sin Titulo To Elogio de la Danza. A contextual-analytical study.
-
Musical protest and revolutionary media: capital transformation among artists, activists, and journalists during the 14 January Revolution
-
The South African transition and ideological disillusionment : Johnny is nie dood nie and Die Seemeeu
-
Hierdie woorde en sinne het ek iewers geërf : reflecting on Afrikaner identity through intertextuality in Johnny is nie dood nie (Olwagen 2017) and Kanarie (Olwagen 2018)
-
A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.
-
A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.
-
A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.
-
The life and legacy of Harold David (Hal) Shaper (1931-2004)
-
Algorithmic Composition by Autonomous Systems with Multiple Time-Scales
-
An investigation into the influence of the "Cape Malay" child's cultural heritage upon his taste in appreciating music, with a proposed adaptation of the music curricula in South African schools to reflect a possible application of "Cape Malay" music therein
-
The Life and Works of Gedikpaşalı Yahyâ Nazim Efendi, One of the Important Names of 17th Century Turkish Music
-
Messiaen’s approach to time in music
-
Views of the Baltic German Press on the Traditions: of Other Nationalities in Riga’s Music Life in the 1870s–1880s: The Influence of the Political Context
-
Feudalism once Again? but in a Different Form
