Full Text Available

Note: Clicking the button above will open the full text document at the original institutional repository in a new window.

The limbs factory: Circuits of fear and hope and the political imagination on the Western Sahara

The wall, as a practice and an imagination, involves an engagement with modes of producing fear in the contemporary moment. This research explores the relationships between the walling imagination in the weaponized field of the Moroccan-built wall in the Western Sahara and the political in its makin...

Full description

Saved in:
Bibliographic Details
Main Author: Yousfi, Kenza
Format: Thesis
Published: AUC Knowledge Fountain 2015
Subjects:
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1867613407507644416
access_status_str Open Access
author Yousfi, Kenza
author_browse Yousfi, Kenza
author_facet Yousfi, Kenza
author_sort Yousfi, Kenza
collection Thesis
dc_rights_str_mv The author retains all rights with regard to copyright. The author certifies that written permission from the owner(s) of third-party copyrighted matter included in the thesis, dissertation, paper, or record of study has been obtained. The author further certifies that IRB approval has been obtained for this thesis, or that IRB approval is not necessary for this thesis. Insofar as this thesis, dissertation, paper, or record of study is an educational record as defined in the Family Educational Rights and Privacy Act (FERPA) (20 USC 1232g), the author has granted consent to disclosure of it to anyone who requests a copy.
description The wall, as a practice and an imagination, involves an engagement with modes of producing fear in the contemporary moment. This research explores the relationships between the walling imagination in the weaponized field of the Moroccan-built wall in the Western Sahara and the political in its making of the present. The question I explore ethnographically is: What are the ways in which the political is perpetually enacted vis-à-vis the walling imagination? From my ethnographic site—the Saharawi refugee camps—I engage with Saharawi everydayness in navigating violent structural confinements: the wall, the camp, the national liberation master plan, and the performances of refugeeness. My argument goes beyond the historical formation of the Saharawi national liberation movement to look at the constituents of the political laboratory concerned with experimenting with the permanent present. In this formulation, the aesthetics of violence in the Western Sahara are of a global logic whereby violence in its walling modality doesn’t exist outside of capital. The making of the present does not become about the past or the future, but rather about experimenting with the different existing structures Saharawis navigate
format Thesis
id oai:fount.aucegypt.edu:etds-1060
institution American University in Cairo (Egypt)
last_indexed 2026-06-10T12:35:39.635Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from AUC Knowledge Fountain — bepress
publishDate 2015
publishDateRange 2015
publishDateSort 2015
publisher AUC Knowledge Fountain
publisherStr AUC Knowledge Fountain
record_format dspace
source_str AUC Knowledge Fountain — bepress
spelling oai:fount.aucegypt.edu:etds-1060 The limbs factory: Circuits of fear and hope and the political imagination on the Western Sahara Yousfi, Kenza The wall, as a practice and an imagination, involves an engagement with modes of producing fear in the contemporary moment. This research explores the relationships between the walling imagination in the weaponized field of the Moroccan-built wall in the Western Sahara and the political in its making of the present. The question I explore ethnographically is: What are the ways in which the political is perpetually enacted vis-à-vis the walling imagination? From my ethnographic site—the Saharawi refugee camps—I engage with Saharawi everydayness in navigating violent structural confinements: the wall, the camp, the national liberation master plan, and the performances of refugeeness. My argument goes beyond the historical formation of the Saharawi national liberation movement to look at the constituents of the political laboratory concerned with experimenting with the permanent present. In this formulation, the aesthetics of violence in the Western Sahara are of a global logic whereby violence in its walling modality doesn’t exist outside of capital. The making of the present does not become about the past or the future, but rather about experimenting with the different existing structures Saharawis navigate 2015-06-01T07:00:00Z thesis application/pdf https://fount.aucegypt.edu/etds/61 https://fount.aucegypt.edu/context/etds/article/1060/viewcontent/TheLimbsFactory_KenzaYousfi_May15.pdf The author retains all rights with regard to copyright. The author certifies that written permission from the owner(s) of third-party copyrighted matter included in the thesis, dissertation, paper, or record of study has been obtained. The author further certifies that IRB approval has been obtained for this thesis, or that IRB approval is not necessary for this thesis. Insofar as this thesis, dissertation, paper, or record of study is an educational record as defined in the Family Educational Rights and Privacy Act (FERPA) (20 USC 1232g), the author has granted consent to disclosure of it to anyone who requests a copy. Theses and Dissertations AUC Knowledge Fountain the political Western Sahara
spellingShingle the political
Western Sahara
Yousfi, Kenza
The limbs factory: Circuits of fear and hope and the political imagination on the Western Sahara
title The limbs factory: Circuits of fear and hope and the political imagination on the Western Sahara
title_full The limbs factory: Circuits of fear and hope and the political imagination on the Western Sahara
title_fullStr The limbs factory: Circuits of fear and hope and the political imagination on the Western Sahara
title_full_unstemmed The limbs factory: Circuits of fear and hope and the political imagination on the Western Sahara
title_short The limbs factory: Circuits of fear and hope and the political imagination on the Western Sahara
title_sort limbs factory circuits of fear and hope and the political imagination on the western sahara
topic the political
Western Sahara
url https://fount.aucegypt.edu/etds/61
https://fount.aucegypt.edu/context/etds/article/1060/viewcontent/TheLimbsFactory_KenzaYousfi_May15.pdf
work_keys_str_mv AT yousfikenza thelimbsfactorycircuitsoffearandhopeandthepoliticalimaginationonthewesternsahara
AT yousfikenza limbsfactorycircuitsoffearandhopeandthepoliticalimaginationonthewesternsahara