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Reinventing the artistic self: Coetzee's summertime and Matar's In the country of men
This thesis attempts to explore the revival of the Kunstlerroman genre in two contemporary works of autobiographical fiction: J. M. Coetzee's Summertime (2009) and Hisham Matar's In the Country of Men (2006). The two main goals are to examine how an artist (author) reveals elements that have shaped...
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| Format: | Thesis |
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AUC Knowledge Fountain
2015
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| _version_ | 1867613407789711360 |
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| access_status_str | Open Access |
| author | ElBowety, Rana Mounir |
| author_browse | ElBowety, Rana Mounir |
| author_facet | ElBowety, Rana Mounir |
| author_sort | ElBowety, Rana Mounir |
| collection | Thesis |
| dc_rights_str_mv | The author retains all rights with regard to copyright. The author certifies that written permission from the owner(s) of third-party copyrighted matter included in the thesis, dissertation, paper, or record of study has been obtained. The author further certifies that IRB approval has been obtained for this thesis, or that IRB approval is not necessary for this thesis. Insofar as this thesis, dissertation, paper, or record of study is an educational record as defined in the Family Educational Rights and Privacy Act (FERPA) (20 USC 1232g), the author has granted consent to disclosure of it to anyone who requests a copy. |
| description | This thesis attempts to explore the revival of the Kunstlerroman genre in two contemporary works of autobiographical fiction: J. M. Coetzee's Summertime (2009) and Hisham Matar's In the Country of Men (2006). The two main goals are to examine how an artist (author) reveals elements that have shaped his childhood in their writing in an attempt to reinvent the self in an artistic framework, and to understand how different genres transgress their boundaries to form hybrid genres that do not conform to the norms and conventions of one specific genre. I also explore the intertwining figures of the author, narrator, and protagonist of a story in an attempt to understand the aesthetics of the relationship between the author of a text and the hero he creates. To explain the term 'autobiography' and what it denotes, I refer to several major autobiography theorists such as Philippe Lejeune, Paul John Eakin, and James Olney. Additionally, I resort to an essay by Mikhail Bakhtin to decipher the dynamics of the relationship between the author and the hero. The reinvention of the self is a process requiring reliance on recalling the past through memory, which means all that is remembered is somewhat fictionalized and re-ordered; absolute truth cannot be represented. Coetzee and Matar do not only reinvent the self in writing; they consciously and actively participate in the creation of texts that transcend genres, hence defy definition according to set conventions. The outcome is narratives that reveal the reconstruction of the past in writing and new forms that constantly evolve and never fully belong to one particular genre. While Summertime resists constituting a definitive subject/protagonist, In the Country of Men goes beyond individual life to cover 'everyman'. |
| format | Thesis |
| id | oai:fount.aucegypt.edu:etds-1123 |
| institution | American University in Cairo (Egypt) |
| last_indexed | 2026-06-10T12:35:39.635Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from AUC Knowledge Fountain — bepress |
| publishDate | 2015 |
| publishDateRange | 2015 |
| publishDateSort | 2015 |
| publisher | AUC Knowledge Fountain |
| publisherStr | AUC Knowledge Fountain |
| record_format | dspace |
| source_str | AUC Knowledge Fountain — bepress |
| spelling | oai:fount.aucegypt.edu:etds-1123 Reinventing the artistic self: Coetzee's summertime and Matar's In the country of men ElBowety, Rana Mounir This thesis attempts to explore the revival of the Kunstlerroman genre in two contemporary works of autobiographical fiction: J. M. Coetzee's Summertime (2009) and Hisham Matar's In the Country of Men (2006). The two main goals are to examine how an artist (author) reveals elements that have shaped his childhood in their writing in an attempt to reinvent the self in an artistic framework, and to understand how different genres transgress their boundaries to form hybrid genres that do not conform to the norms and conventions of one specific genre. I also explore the intertwining figures of the author, narrator, and protagonist of a story in an attempt to understand the aesthetics of the relationship between the author of a text and the hero he creates. To explain the term 'autobiography' and what it denotes, I refer to several major autobiography theorists such as Philippe Lejeune, Paul John Eakin, and James Olney. Additionally, I resort to an essay by Mikhail Bakhtin to decipher the dynamics of the relationship between the author and the hero. The reinvention of the self is a process requiring reliance on recalling the past through memory, which means all that is remembered is somewhat fictionalized and re-ordered; absolute truth cannot be represented. Coetzee and Matar do not only reinvent the self in writing; they consciously and actively participate in the creation of texts that transcend genres, hence defy definition according to set conventions. The outcome is narratives that reveal the reconstruction of the past in writing and new forms that constantly evolve and never fully belong to one particular genre. While Summertime resists constituting a definitive subject/protagonist, In the Country of Men goes beyond individual life to cover 'everyman'. 2015-06-01T07:00:00Z thesis application/pdf https://fount.aucegypt.edu/etds/124 https://fount.aucegypt.edu/context/etds/article/1123/viewcontent/Rana_20Final_20Thesis.pdf The author retains all rights with regard to copyright. The author certifies that written permission from the owner(s) of third-party copyrighted matter included in the thesis, dissertation, paper, or record of study has been obtained. The author further certifies that IRB approval has been obtained for this thesis, or that IRB approval is not necessary for this thesis. Insofar as this thesis, dissertation, paper, or record of study is an educational record as defined in the Family Educational Rights and Privacy Act (FERPA) (20 USC 1232g), the author has granted consent to disclosure of it to anyone who requests a copy. Theses and Dissertations AUC Knowledge Fountain Coetzee Matar |
| spellingShingle | Coetzee Matar ElBowety, Rana Mounir Reinventing the artistic self: Coetzee's summertime and Matar's In the country of men |
| title | Reinventing the artistic self: Coetzee's summertime and Matar's In the country of men |
| title_full | Reinventing the artistic self: Coetzee's summertime and Matar's In the country of men |
| title_fullStr | Reinventing the artistic self: Coetzee's summertime and Matar's In the country of men |
| title_full_unstemmed | Reinventing the artistic self: Coetzee's summertime and Matar's In the country of men |
| title_short | Reinventing the artistic self: Coetzee's summertime and Matar's In the country of men |
| title_sort | reinventing the artistic self coetzee s summertime and matar s in the country of men |
| topic | Coetzee Matar |
| url | https://fount.aucegypt.edu/etds/124 https://fount.aucegypt.edu/context/etds/article/1123/viewcontent/Rana_20Final_20Thesis.pdf |
| work_keys_str_mv | AT elbowetyranamounir reinventingtheartisticselfcoetzeessummertimeandmatarsinthecountryofmen |