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Our stories, our lives: performed storytelling in Cairo

This thesis explores the work of two storytelling groups in Cairo through different conceptual frameworks. Affect, class politics, marginalization, art and the political are the main lenses through which I delve into the work of the groups in an attempt to understand a condition in which su...

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Main Author: Alawneh, Dana
Format: Thesis
Published: AUC Knowledge Fountain 2015
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access_status_str Open Access
author Alawneh, Dana
author_browse Alawneh, Dana
author_facet Alawneh, Dana
author_sort Alawneh, Dana
collection Thesis
dc_rights_str_mv The author retains all rights with regard to copyright. The author certifies that written permission from the owner(s) of third-party copyrighted matter included in the thesis, dissertation, paper, or record of study has been obtained. The author further certifies that IRB approval has been obtained for this thesis, or that IRB approval is not necessary for this thesis. Insofar as this thesis, dissertation, paper, or record of study is an educational record as defined in the Family Educational Rights and Privacy Act (FERPA) (20 USC 1232g), the author has granted consent to disclosure of it to anyone who requests a copy.
description This thesis explores the work of two storytelling groups in Cairo through different conceptual frameworks. Affect, class politics, marginalization, art and the political are the main lenses through which I delve into the work of the groups in an attempt to understand a condition in which such groups exist and what it means to be part of a storytelling community in Cairo. Moreover, through my analysis I try to question the approaches of each group towards the issues they address, why and how they choose to tell certain stories. Moreover I question the method how the stories are told and whether they contributes into creating, emphasizing or reproducing certain discourses within the society while trying to change another. In order to understand how the stories come to life and eventually become a performance, I go behind the curtains to understand the processes of the making of those stories, and the capacity of those stories to affect others and potentially enable something, even if it was only on the level of change among the group members themselves, therefore I explore the transformations the storytellers went through, the revisiting and deconstruction of situations in their lives, in the process of writing/ performing, as well as in the construction of those groups. I argue that by revisiting affects possibilities and potentialities are created.
format Thesis
id oai:fount.aucegypt.edu:etds-1160
institution American University in Cairo (Egypt)
last_indexed 2026-06-10T12:35:39.635Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from AUC Knowledge Fountain — bepress
publishDate 2015
publishDateRange 2015
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publisher AUC Knowledge Fountain
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source_str AUC Knowledge Fountain — bepress
spelling oai:fount.aucegypt.edu:etds-1160 Our stories, our lives: performed storytelling in Cairo Alawneh, Dana This thesis explores the work of two storytelling groups in Cairo through different conceptual frameworks. Affect, class politics, marginalization, art and the political are the main lenses through which I delve into the work of the groups in an attempt to understand a condition in which such groups exist and what it means to be part of a storytelling community in Cairo. Moreover, through my analysis I try to question the approaches of each group towards the issues they address, why and how they choose to tell certain stories. Moreover I question the method how the stories are told and whether they contributes into creating, emphasizing or reproducing certain discourses within the society while trying to change another. In order to understand how the stories come to life and eventually become a performance, I go behind the curtains to understand the processes of the making of those stories, and the capacity of those stories to affect others and potentially enable something, even if it was only on the level of change among the group members themselves, therefore I explore the transformations the storytellers went through, the revisiting and deconstruction of situations in their lives, in the process of writing/ performing, as well as in the construction of those groups. I argue that by revisiting affects possibilities and potentialities are created. 2015-02-01T08:00:00Z thesis application/pdf https://fount.aucegypt.edu/etds/161 https://fount.aucegypt.edu/context/etds/article/1160/viewcontent/F_Dana.pdf The author retains all rights with regard to copyright. The author certifies that written permission from the owner(s) of third-party copyrighted matter included in the thesis, dissertation, paper, or record of study has been obtained. The author further certifies that IRB approval has been obtained for this thesis, or that IRB approval is not necessary for this thesis. Insofar as this thesis, dissertation, paper, or record of study is an educational record as defined in the Family Educational Rights and Privacy Act (FERPA) (20 USC 1232g), the author has granted consent to disclosure of it to anyone who requests a copy. Theses and Dissertations AUC Knowledge Fountain Storytelling Affect
spellingShingle Storytelling
Affect
Alawneh, Dana
Our stories, our lives: performed storytelling in Cairo
title Our stories, our lives: performed storytelling in Cairo
title_full Our stories, our lives: performed storytelling in Cairo
title_fullStr Our stories, our lives: performed storytelling in Cairo
title_full_unstemmed Our stories, our lives: performed storytelling in Cairo
title_short Our stories, our lives: performed storytelling in Cairo
title_sort our stories our lives performed storytelling in cairo
topic Storytelling
Affect
url https://fount.aucegypt.edu/etds/161
https://fount.aucegypt.edu/context/etds/article/1160/viewcontent/F_Dana.pdf
work_keys_str_mv AT alawnehdana ourstoriesourlivesperformedstorytellingincairo