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This research discusses the role of visual violence as it relates to non-state actors within asymmetric warfare as a form of indirect coercion, siting the logic of Thomas Schelling. It argues that irrationality, as a perception from the state actor toward the non-state actor is a rational approach i...
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| Format: | Thesis |
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AUC Knowledge Fountain
2017
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| _version_ | 1867613411799465984 |
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| access_status_str | Open Access |
| author | Vigil, Roxanne Brook |
| author_browse | Vigil, Roxanne Brook |
| author_facet | Vigil, Roxanne Brook |
| author_sort | Vigil, Roxanne Brook |
| collection | Thesis |
| dc_rights_str_mv | The author retains all rights with regard to copyright. The author certifies that written permission from the owner(s) of third-party copyrighted matter included in the thesis, dissertation, paper, or record of study has been obtained. The author further certifies that IRB approval has been obtained for this thesis, or that IRB approval is not necessary for this thesis. Insofar as this thesis, dissertation, paper, or record of study is an educational record as defined in the Family Educational Rights and Privacy Act (FERPA) (20 USC 1232g), the author has granted consent to disclosure of it to anyone who requests a copy. |
| description | This research discusses the role of visual violence as it relates to non-state actors within asymmetric warfare as a form of indirect coercion, siting the logic of Thomas Schelling. It argues that irrationality, as a perception from the state actor toward the non-state actor is a rational approach in order to produce the desired fear and publicity. The amount of fear and publicity is measured by the amount of inhumanity that is presented within the visual narration and the amount of irrational hysteria that comes from the audience. In using a comparative and visual analysis, two non-state actors who utilized visual violence, the Red Brigades and ISIS, have shown varying effects of visual violence on their targeted audience. It concludes that the visual violence, as a concept, being distinguished from its visual component and its violent component, does not have the desired impact unless the image contains the aforementioned features: the perception of irrationality and a high level of inhumanity. |
| format | Thesis |
| id | oai:fount.aucegypt.edu:etds-1684 |
| institution | American University in Cairo (Egypt) |
| last_indexed | 2026-06-10T12:35:43.583Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from AUC Knowledge Fountain — bepress |
| publishDate | 2017 |
| publishDateRange | 2017 |
| publishDateSort | 2017 |
| publisher | AUC Knowledge Fountain |
| publisherStr | AUC Knowledge Fountain |
| record_format | dspace |
| source_str | AUC Knowledge Fountain — bepress |
| spelling | oai:fount.aucegypt.edu:etds-1684 Strategic advantages of visual violence Vigil, Roxanne Brook This research discusses the role of visual violence as it relates to non-state actors within asymmetric warfare as a form of indirect coercion, siting the logic of Thomas Schelling. It argues that irrationality, as a perception from the state actor toward the non-state actor is a rational approach in order to produce the desired fear and publicity. The amount of fear and publicity is measured by the amount of inhumanity that is presented within the visual narration and the amount of irrational hysteria that comes from the audience. In using a comparative and visual analysis, two non-state actors who utilized visual violence, the Red Brigades and ISIS, have shown varying effects of visual violence on their targeted audience. It concludes that the visual violence, as a concept, being distinguished from its visual component and its violent component, does not have the desired impact unless the image contains the aforementioned features: the perception of irrationality and a high level of inhumanity. 2017-06-01T07:00:00Z thesis application/pdf https://fount.aucegypt.edu/etds/685 https://fount.aucegypt.edu/context/etds/article/1684/viewcontent/auto_convert.pdf The author retains all rights with regard to copyright. The author certifies that written permission from the owner(s) of third-party copyrighted matter included in the thesis, dissertation, paper, or record of study has been obtained. The author further certifies that IRB approval has been obtained for this thesis, or that IRB approval is not necessary for this thesis. Insofar as this thesis, dissertation, paper, or record of study is an educational record as defined in the Family Educational Rights and Privacy Act (FERPA) (20 USC 1232g), the author has granted consent to disclosure of it to anyone who requests a copy. Theses and Dissertations AUC Knowledge Fountain Strategy Visual Violence |
| spellingShingle | Strategy Visual Violence Vigil, Roxanne Brook Strategic advantages of visual violence |
| title | Strategic advantages of visual violence |
| title_full | Strategic advantages of visual violence |
| title_fullStr | Strategic advantages of visual violence |
| title_full_unstemmed | Strategic advantages of visual violence |
| title_short | Strategic advantages of visual violence |
| title_sort | strategic advantages of visual violence |
| topic | Strategy Visual Violence |
| url | https://fount.aucegypt.edu/etds/685 https://fount.aucegypt.edu/context/etds/article/1684/viewcontent/auto_convert.pdf |
| work_keys_str_mv | AT vigilroxannebrook strategicadvantagesofvisualviolence |