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Revival of Mamluk architecture in the 19th & 20th centuries

Mamluk Architecture was renowned for its grandeur. It had characteristic features that distinguished it from other styles and added to its unquestioned beauty. Cairo saw a revival of the Mamluk style in the late nineteenth and early twentieth century at the hands of renowned European architects such...

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Main Author: Marei, Laila Kamal
Format: Thesis
Published: AUC Knowledge Fountain 2012
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access_status_str Open Access
author Marei, Laila Kamal
author_browse Marei, Laila Kamal
author_facet Marei, Laila Kamal
author_sort Marei, Laila Kamal
collection Thesis
dc_rights_str_mv The author retains all rights with regard to copyright. The author certifies that written permission from the owner(s) of third-party copyrighted matter included in the thesis, dissertation, paper, or record of study has been obtained. The author further certifies that IRB approval has been obtained for this thesis, or that IRB approval is not necessary for this thesis. Insofar as this thesis, dissertation, paper, or record of study is an educational record as defined in the Family Educational Rights and Privacy Act (FERPA) (20 USC 1232g), the author has granted consent to disclosure of it to anyone who requests a copy.
description Mamluk Architecture was renowned for its grandeur. It had characteristic features that distinguished it from other styles and added to its unquestioned beauty. Cairo saw a revival of the Mamluk style in the late nineteenth and early twentieth century at the hands of renowned European architects such as Antoine Lasciac and Mario Rossi, in addition to European-educated Egyptian architectures, most notably Mustafa Fahmi. During the reign of Khedive Ismaâ il, Egypt witnessed a strong wave of European-influenced buildings, at the same time that the Mamluk style was being revived. The revived style was used in many buildings, not only religious ones. Domestic buildings were erected in that style for both foreign and Egyptian clients. The historical context in which the revival phase took place is a very important factor because it enables us to posit the reasons behind its revival. The aim of this thesis is to argue that the neo-Mamluk style was the chosen style of Egyptian nationalism. Out of the many architectural styles that led up to it, it became prominent and persistent even in cases where more than one of these styles were fused. To support this argument I will try to answer previously raised questions concerning this revival and address earlier scholarly arguments concerning this period. The second part of the thesis will deal with evolving examples from the late 19th century to our present day to support the hypothesis that the Mamluk style was the chosen style of Egyptian nationalism.
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institution American University in Cairo (Egypt)
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license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from AUC Knowledge Fountain — bepress
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spelling oai:fount.aucegypt.edu:etds-1872 Revival of Mamluk architecture in the 19th & 20th centuries Marei, Laila Kamal Mamluk Architecture was renowned for its grandeur. It had characteristic features that distinguished it from other styles and added to its unquestioned beauty. Cairo saw a revival of the Mamluk style in the late nineteenth and early twentieth century at the hands of renowned European architects such as Antoine Lasciac and Mario Rossi, in addition to European-educated Egyptian architectures, most notably Mustafa Fahmi. During the reign of Khedive Ismaâ il, Egypt witnessed a strong wave of European-influenced buildings, at the same time that the Mamluk style was being revived. The revived style was used in many buildings, not only religious ones. Domestic buildings were erected in that style for both foreign and Egyptian clients. The historical context in which the revival phase took place is a very important factor because it enables us to posit the reasons behind its revival. The aim of this thesis is to argue that the neo-Mamluk style was the chosen style of Egyptian nationalism. Out of the many architectural styles that led up to it, it became prominent and persistent even in cases where more than one of these styles were fused. To support this argument I will try to answer previously raised questions concerning this revival and address earlier scholarly arguments concerning this period. The second part of the thesis will deal with evolving examples from the late 19th century to our present day to support the hypothesis that the Mamluk style was the chosen style of Egyptian nationalism. 2012-02-01T08:00:00Z thesis application/pdf https://fount.aucegypt.edu/etds/873 https://fount.aucegypt.edu/context/etds/article/1872/viewcontent/Chapter_20One.pdf The author retains all rights with regard to copyright. The author certifies that written permission from the owner(s) of third-party copyrighted matter included in the thesis, dissertation, paper, or record of study has been obtained. The author further certifies that IRB approval has been obtained for this thesis, or that IRB approval is not necessary for this thesis. Insofar as this thesis, dissertation, paper, or record of study is an educational record as defined in the Family Educational Rights and Privacy Act (FERPA) (20 USC 1232g), the author has granted consent to disclosure of it to anyone who requests a copy. Theses and Dissertations AUC Knowledge Fountain Architecture Mamluke
spellingShingle Architecture
Mamluke
Marei, Laila Kamal
Revival of Mamluk architecture in the 19th & 20th centuries
title Revival of Mamluk architecture in the 19th & 20th centuries
title_full Revival of Mamluk architecture in the 19th & 20th centuries
title_fullStr Revival of Mamluk architecture in the 19th & 20th centuries
title_full_unstemmed Revival of Mamluk architecture in the 19th & 20th centuries
title_short Revival of Mamluk architecture in the 19th & 20th centuries
title_sort revival of mamluk architecture in the 19th 20th centuries
topic Architecture
Mamluke
url https://fount.aucegypt.edu/etds/873
https://fount.aucegypt.edu/context/etds/article/1872/viewcontent/Chapter_20One.pdf
work_keys_str_mv AT mareilailakamal revivalofmamlukarchitectureinthe19th20thcenturies