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The margin and the center: a study in selected works from contemporary Egyptian novels

This thesis is a study of the margins and the centers of Cairo as viewed through the lens of modern and contemporary Egyptian novels. I trace how these and other Egyptian writers map the main forces that shape centers of power, how centers of power see and use the marginalized, how the marginalized...

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Main Author: Istanbulli, Linda
Format: Thesis
Published: AUC Knowledge Fountain 2010
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access_status_str Open Access
author Istanbulli, Linda
author_browse Istanbulli, Linda
author_facet Istanbulli, Linda
author_sort Istanbulli, Linda
collection Thesis
dc_rights_str_mv The author retains all rights with regard to copyright. The author certifies that written permission from the owner(s) of third-party copyrighted matter included in the thesis, dissertation, paper, or record of study has been obtained. The author further certifies that IRB approval has been obtained for this thesis, or that IRB approval is not necessary for this thesis. Insofar as this thesis, dissertation, paper, or record of study is an educational record as defined in the Family Educational Rights and Privacy Act (FERPA) (20 USC 1232g), the author has granted consent to disclosure of it to anyone who requests a copy.
description This thesis is a study of the margins and the centers of Cairo as viewed through the lens of modern and contemporary Egyptian novels. I trace how these and other Egyptian writers map the main forces that shape centers of power, how centers of power see and use the marginalized, how the marginalized themselves picture these centers. The marginalized, by conceptual necessity, are defined by two cultures and two societies at the same time; the margin and the center. I explore how Egyptian writers locate and represent these two forces, and how this duality creates relationships that keep these two opposing entities connected to each other. I discover that these relationships are shaped in three different geometric dimensions: the horizontal, the vertical and the fragmented. The margin itself is in continuous movement, with a constantly shifting and evolving relationship to the center. I explore the horizontal relationship of repulsion and attraction between the old city and the modern city in Mahfouz's Midaq Alley, and the socio-political relationship between the top and the bottom of the building in Al-Aswani's The Yacoubian Building, and finally the fragmentation of reality and the death of the hero in the texts of El-Fakharani's The Shocking Line and Abu Golayyel's Thieves in Retirement. In these last two intentionally fragmented texts, the reader faces a realm of taboos, both social and linguistic. Violence, drugs, homosexuality and even incest are all used to break down conventions, penetrate new spaces and establish new territories. Transformations in language and transformations in people have merged to become one entity where linguistic taboos are in proportion with social ones. The reader is invited to personally experience social, cultural and political transformation both substantively (through character transformation), and structurally (through textual transformation). Modern Egyptian writers have been deconstructing and reconstructing cities and societies according to their points of view. As the boundaries of literary style and content expand, so do the boundaries of this mega city that we call Cairo. Finally, I ask to what extent these authors exert social, political and architectural influence on the people, institutions and boundaries of Cairo.
format Thesis
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institution American University in Cairo (Egypt)
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license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from AUC Knowledge Fountain — bepress
publishDate 2010
publishDateRange 2010
publishDateSort 2010
publisher AUC Knowledge Fountain
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source_str AUC Knowledge Fountain — bepress
spelling oai:fount.aucegypt.edu:etds-1891 The margin and the center: a study in selected works from contemporary Egyptian novels Istanbulli, Linda This thesis is a study of the margins and the centers of Cairo as viewed through the lens of modern and contemporary Egyptian novels. I trace how these and other Egyptian writers map the main forces that shape centers of power, how centers of power see and use the marginalized, how the marginalized themselves picture these centers. The marginalized, by conceptual necessity, are defined by two cultures and two societies at the same time; the margin and the center. I explore how Egyptian writers locate and represent these two forces, and how this duality creates relationships that keep these two opposing entities connected to each other. I discover that these relationships are shaped in three different geometric dimensions: the horizontal, the vertical and the fragmented. The margin itself is in continuous movement, with a constantly shifting and evolving relationship to the center. I explore the horizontal relationship of repulsion and attraction between the old city and the modern city in Mahfouz's Midaq Alley, and the socio-political relationship between the top and the bottom of the building in Al-Aswani's The Yacoubian Building, and finally the fragmentation of reality and the death of the hero in the texts of El-Fakharani's The Shocking Line and Abu Golayyel's Thieves in Retirement. In these last two intentionally fragmented texts, the reader faces a realm of taboos, both social and linguistic. Violence, drugs, homosexuality and even incest are all used to break down conventions, penetrate new spaces and establish new territories. Transformations in language and transformations in people have merged to become one entity where linguistic taboos are in proportion with social ones. The reader is invited to personally experience social, cultural and political transformation both substantively (through character transformation), and structurally (through textual transformation). Modern Egyptian writers have been deconstructing and reconstructing cities and societies according to their points of view. As the boundaries of literary style and content expand, so do the boundaries of this mega city that we call Cairo. Finally, I ask to what extent these authors exert social, political and architectural influence on the people, institutions and boundaries of Cairo. 2010-02-01T08:00:00Z thesis application/pdf https://fount.aucegypt.edu/etds/892 https://fount.aucegypt.edu/context/etds/article/1891/viewcontent/2010ariclindaistanbulli.pdf The author retains all rights with regard to copyright. The author certifies that written permission from the owner(s) of third-party copyrighted matter included in the thesis, dissertation, paper, or record of study has been obtained. The author further certifies that IRB approval has been obtained for this thesis, or that IRB approval is not necessary for this thesis. Insofar as this thesis, dissertation, paper, or record of study is an educational record as defined in the Family Educational Rights and Privacy Act (FERPA) (20 USC 1232g), the author has granted consent to disclosure of it to anyone who requests a copy. Theses and Dissertations AUC Knowledge Fountain
spellingShingle Istanbulli, Linda
The margin and the center: a study in selected works from contemporary Egyptian novels
title The margin and the center: a study in selected works from contemporary Egyptian novels
title_full The margin and the center: a study in selected works from contemporary Egyptian novels
title_fullStr The margin and the center: a study in selected works from contemporary Egyptian novels
title_full_unstemmed The margin and the center: a study in selected works from contemporary Egyptian novels
title_short The margin and the center: a study in selected works from contemporary Egyptian novels
title_sort margin and the center a study in selected works from contemporary egyptian novels
url https://fount.aucegypt.edu/etds/892
https://fount.aucegypt.edu/context/etds/article/1891/viewcontent/2010ariclindaistanbulli.pdf
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AT istanbullilinda marginandthecenterastudyinselectedworksfromcontemporaryegyptiannovels