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Re-examining the Myth of Dionysos: A study of Euripides, Ibsen, and Duras
The purpose of this thesis is to demonstrate the conflict between the Dionysian, considered as a principle of heightened excess, and social constraint as demonstrated in three different texts from distinct time periods. I will demonstrate how patriarchal and repressive social norms can demolish the...
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2014
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| _version_ | 1867613413382815744 |
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| access_status_str | Open Access |
| author | Nasser, Nada Ghazy |
| author_browse | Nasser, Nada Ghazy |
| author_facet | Nasser, Nada Ghazy |
| author_sort | Nasser, Nada Ghazy |
| collection | Thesis |
| dc_rights_str_mv | The author retains all rights with regard to copyright. The author certifies that written permission from the owner(s) of third-party copyrighted matter included in the thesis, dissertation, paper, or record of study has been obtained. The author further certifies that IRB approval has been obtained for this thesis, or that IRB approval is not necessary for this thesis. Insofar as this thesis, dissertation, paper, or record of study is an educational record as defined in the Family Educational Rights and Privacy Act (FERPA) (20 USC 1232g), the author has granted consent to disclosure of it to anyone who requests a copy. |
| description | The purpose of this thesis is to demonstrate the conflict between the Dionysian, considered as a principle of heightened excess, and social constraint as demonstrated in three different texts from distinct time periods. I will demonstrate how patriarchal and repressive social norms can demolish the sense of individuality that is assumed to be central to society as a whole. The conflict between these two tendencies as expressed in Euripides’s The Bacchae continues to resound in the modern world and explains how a disregard for the Dionysian can lead to destruction and chaos. In this thesis, this conflict, rather than the opposition between Apollo and Dionysos as presented by Nietzsche in The Birth of Tragedy, is discussed in terms of Euripides’s The Bacchae, Henrik Ibsen’s Hedda Gabler, and Marguerite Duras’s Moderato Cantabile. In re-examining the myth of Dionysos, I discuss in conclusion the importance of acknowledging the Dionysian, the danger of over-conforming to standards of constraint, and how the neglect of the Dionysian can lead to destruction, chaos, and disorder. |
| format | Thesis |
| id | oai:fount.aucegypt.edu:etds-1907 |
| institution | American University in Cairo (Egypt) |
| last_indexed | 2026-06-10T12:35:44.926Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from AUC Knowledge Fountain — bepress |
| publishDate | 2014 |
| publishDateRange | 2014 |
| publishDateSort | 2014 |
| publisher | AUC Knowledge Fountain |
| publisherStr | AUC Knowledge Fountain |
| record_format | dspace |
| source_str | AUC Knowledge Fountain — bepress |
| spelling | oai:fount.aucegypt.edu:etds-1907 Re-examining the Myth of Dionysos: A study of Euripides, Ibsen, and Duras Nasser, Nada Ghazy The purpose of this thesis is to demonstrate the conflict between the Dionysian, considered as a principle of heightened excess, and social constraint as demonstrated in three different texts from distinct time periods. I will demonstrate how patriarchal and repressive social norms can demolish the sense of individuality that is assumed to be central to society as a whole. The conflict between these two tendencies as expressed in Euripides’s The Bacchae continues to resound in the modern world and explains how a disregard for the Dionysian can lead to destruction and chaos. In this thesis, this conflict, rather than the opposition between Apollo and Dionysos as presented by Nietzsche in The Birth of Tragedy, is discussed in terms of Euripides’s The Bacchae, Henrik Ibsen’s Hedda Gabler, and Marguerite Duras’s Moderato Cantabile. In re-examining the myth of Dionysos, I discuss in conclusion the importance of acknowledging the Dionysian, the danger of over-conforming to standards of constraint, and how the neglect of the Dionysian can lead to destruction, chaos, and disorder. 2014-02-01T08:00:00Z thesis application/pdf https://fount.aucegypt.edu/etds/908 https://fount.aucegypt.edu/context/etds/article/1907/viewcontent/Complete_20Thesis_20Revised_201.pdf The author retains all rights with regard to copyright. The author certifies that written permission from the owner(s) of third-party copyrighted matter included in the thesis, dissertation, paper, or record of study has been obtained. The author further certifies that IRB approval has been obtained for this thesis, or that IRB approval is not necessary for this thesis. Insofar as this thesis, dissertation, paper, or record of study is an educational record as defined in the Family Educational Rights and Privacy Act (FERPA) (20 USC 1232g), the author has granted consent to disclosure of it to anyone who requests a copy. Theses and Dissertations AUC Knowledge Fountain Dionysos Dionysus |
| spellingShingle | Dionysos Dionysus Nasser, Nada Ghazy Re-examining the Myth of Dionysos: A study of Euripides, Ibsen, and Duras |
| title | Re-examining the Myth of Dionysos: A study of Euripides, Ibsen, and Duras |
| title_full | Re-examining the Myth of Dionysos: A study of Euripides, Ibsen, and Duras |
| title_fullStr | Re-examining the Myth of Dionysos: A study of Euripides, Ibsen, and Duras |
| title_full_unstemmed | Re-examining the Myth of Dionysos: A study of Euripides, Ibsen, and Duras |
| title_short | Re-examining the Myth of Dionysos: A study of Euripides, Ibsen, and Duras |
| title_sort | re examining the myth of dionysos a study of euripides ibsen and duras |
| topic | Dionysos Dionysus |
| url | https://fount.aucegypt.edu/etds/908 https://fount.aucegypt.edu/context/etds/article/1907/viewcontent/Complete_20Thesis_20Revised_201.pdf |
| work_keys_str_mv | AT nassernadaghazy reexaminingthemythofdionysosastudyofeuripidesibsenandduras |