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The Principles of Islamic Moral Philosophy and the Possibility of Re-Conceptualizing Classical Islamic Aesthetics of Architecture
This study is primarily concerned with the intersection of the moral and aesthetic theories of Abū Ḥāmid al-Ghazālī (d. 1111). Al-Ghazālī’s theory of aesthetics has been the subject of thorough scholarly investigations and diverse interpretations in the field of Islamic art history since the 1940s....
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| Format: | Thesis |
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AUC Knowledge Fountain
2025
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| Summary: | This study is primarily concerned with the intersection of the moral and aesthetic theories of Abū Ḥāmid al-Ghazālī (d. 1111). Al-Ghazālī’s theory of aesthetics has been the subject of thorough scholarly investigations and diverse interpretations in the field of Islamic art history since the 1940s. This thesis critiques the premises upon which the use of al-Ghazālī’s writings in studies of Islamic art and architecture were built. It suggests that they lead to what could be described as “the contradiction of unethical beauty.” To overcome this contradiction, it offers a comprehensive interpretation of al-Ghazālī’s aesthetics through analyzing the concept ḥusn in both his writings on aesthetics and ethics. I argue that there is an interconnectedness between the beautiful and the good in al-Ghazālī’s theory, where both are two facts of the same concept of ḥusn. Finally, the study uses this comprehensive understanding of ḥusn to interpret al-Ghazālī’s writings on architecture as an attempts to open the door for excavating a Ghazālian theory of architectural aesthetics. |
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