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Stem-branch and stem-root formation for sculpture

A thesis submitted to the Board of Postgraduate Studies, Kwame Nkrumah University of Science and Technology, Kumasi, in partial fulfilment of the requirement for the award of the Degree of Master of Fine Arts in Sculpture.

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Bibliographic Details
Main Author: Oko-Martey, Frederick Martey
Format: Thesis
Language:English
Published: 2012
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access_status_str Open Access
author Oko-Martey, Frederick Martey
author_browse Oko-Martey, Frederick Martey
author_facet Oko-Martey, Frederick Martey
author_sort Oko-Martey, Frederick Martey
collection Thesis
description A thesis submitted to the Board of Postgraduate Studies, Kwame Nkrumah University of Science and Technology, Kumasi, in partial fulfilment of the requirement for the award of the Degree of Master of Fine Arts in Sculpture.
format Thesis
id oai:ir.knust.edu.gh:123456789/3207
institution KNUST (Ghana)
language English
last_indexed 2026-06-10T12:31:22.621Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from KNUSTSpace — Kwame Nkrumah University of Science & Technology (Ghana)
publishDate 2012
publishDateRange 2012
publishDateSort 2012
record_format dspace
source_str KNUSTSpace — Kwame Nkrumah University of Science & Technology (Ghana)
spelling oai:ir.knust.edu.gh:123456789/3207 Stem-branch and stem-root formation for sculpture Oko-Martey, Frederick Martey A thesis submitted to the Board of Postgraduate Studies, Kwame Nkrumah University of Science and Technology, Kumasi, in partial fulfilment of the requirement for the award of the Degree of Master of Fine Arts in Sculpture. In Ghana, the art of carved sculpture in stem-branch and stem- root is not popular. The technique is practised only by some sculptors who trained in Art Schools. Even then the majority of these trained sculptors who produce stem-branch and stem-root sculpture do so once a while, when they come across the stem-branch or stem-root which suggests clearly a recognizable image. They carve the stem-branch directly following the suggested or representational image in the medium, which in most cases, amongst these practicing sculptors could be once or twice in a decade. What is interesting about this technique is that jutting out branches and roots from a main stem most often serve as heads or arms of human or animals, leaving the bulk of the wood, the main stem, for the artist to create something with. This can be a very difficult task, a tedious and slow problem-solving process, to the extent of limiting the artist to working with a particular piece of wood with which he can express himself. Therefore he is left with the choice of expressing himself within defined limits - the freedom of expression, within boundaries. Carving stem-branch and stem-root is not practised widely by sculptors. Reasons could be — 1. Such wood pieces are not easily available like real logs 2. Some sculptors find such wood difficult to use - a big problem to identify forms or image in wood. KNUST 2012-03-13T11:58:01Z 2023-04-20T10:29:31Z 2012-03-13T11:58:01Z 2023-04-20T10:29:31Z 1996 Thesis https://ir.knust.edu.gh/handle/123456789/3207 en 2233 application/pdf application/pdf
spellingShingle Oko-Martey, Frederick Martey
Stem-branch and stem-root formation for sculpture
title Stem-branch and stem-root formation for sculpture
title_full Stem-branch and stem-root formation for sculpture
title_fullStr Stem-branch and stem-root formation for sculpture
title_full_unstemmed Stem-branch and stem-root formation for sculpture
title_short Stem-branch and stem-root formation for sculpture
title_sort stem branch and stem root formation for sculpture
url https://ir.knust.edu.gh/handle/123456789/3207
work_keys_str_mv AT okomarteyfrederickmartey stembranchandstemrootformationforsculpture