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Architecture, Mural Decoration and Pottery in Sirigu Culture

A Thesis Submitted to the School of Graduate Studies, Kwame Nkrumah University of Science and Technology in Partial Fulfillment of the Requirements for the Degree of Master of Arts (African Art and Culture)

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Main Author: Wemegah, Rolland
Format: Article
Language:English
Published: 2011
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access_status_str Open Access
author Wemegah, Rolland
author_browse Wemegah, Rolland
author_facet Wemegah, Rolland
author_sort Wemegah, Rolland
collection Thesis
description A Thesis Submitted to the School of Graduate Studies, Kwame Nkrumah University of Science and Technology in Partial Fulfillment of the Requirements for the Degree of Master of Arts (African Art and Culture)
format Article
id oai:ir.knust.edu.gh:123456789/416
institution KNUST (Ghana)
language English
last_indexed 2026-06-10T12:31:21.331Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from KNUSTSpace — Kwame Nkrumah University of Science & Technology (Ghana)
publishDate 2011
publishDateRange 2011
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source_str KNUSTSpace — Kwame Nkrumah University of Science & Technology (Ghana)
spelling oai:ir.knust.edu.gh:123456789/416 Architecture, Mural Decoration and Pottery in Sirigu Culture Wemegah, Rolland A Thesis Submitted to the School of Graduate Studies, Kwame Nkrumah University of Science and Technology in Partial Fulfillment of the Requirements for the Degree of Master of Arts (African Art and Culture) Sirigu, with its extraordinary traditional architecture, mural decorations and pottery, genuinely is one of the most artistic communities in the Upper East Region of Ghana. These splendid art forms have inspired and attracted many admirers over the years. However, very little is known about the nature of the above art forms in the Sirigu society. The central focus of the study therefore was to examine the raw materials, motifs and techniques used in creating the above mentioned art forms, as well as to ascertain their cultural and philosophical significances to the people of Sirigu. The study was carried out with the aid of interview guides, photographs, illustrations, participant and non-participant observational techniques, note taking, voice recordings, as well as review of relevant literature. The research revealed that architecture, mural decoration and pottery in Sirigu culture, was evolved to meet the needs of the people. The art forms possessed a large volume of the cultural beliefs and history of the people of the society. The study also explicitly exposes the raw materials used in producing the art forms are obtained from the immediate environment, and are organic in nature. The research underpinned the fact that the above mentioned art forms have important tourism potentials, and if properly harnessed, could be of great benefit to the Sirigu people. The major recommendation is to sustain the art forms as well as assist in boosting tourist inflow to the community to improve the standard of living of the people. 2011-07-18T15:34:26Z 2023-04-19T21:24:10Z 2011-07-18T15:34:26Z 2023-04-19T21:24:10Z JUNE, 2009 Article https://ir.knust.edu.gh/handle/123456789/416 en application/pdf
spellingShingle Wemegah, Rolland
Architecture, Mural Decoration and Pottery in Sirigu Culture
title Architecture, Mural Decoration and Pottery in Sirigu Culture
title_full Architecture, Mural Decoration and Pottery in Sirigu Culture
title_fullStr Architecture, Mural Decoration and Pottery in Sirigu Culture
title_full_unstemmed Architecture, Mural Decoration and Pottery in Sirigu Culture
title_short Architecture, Mural Decoration and Pottery in Sirigu Culture
title_sort architecture mural decoration and pottery in sirigu culture
url https://ir.knust.edu.gh/handle/123456789/416
work_keys_str_mv AT wemegahrolland architecturemuraldecorationandpotteryinsiriguculture