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The history of Yiddish theatre in South Africa from the late nineteenth century to 1960

Includes bibliographical references.

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Bibliographic Details
Main Author: Belling, Veronica
Other Authors: Shain, Milton
Format: Thesis
Language:English
Published: Kaplan Centre for Jewish Studies 2014
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access_status_str Open Access
author Belling, Veronica
author2 Shain, Milton
author_browse Belling, Veronica
Shain, Milton
author_facet Shain, Milton
Belling, Veronica
author_sort Belling, Veronica
collection Thesis
description Includes bibliographical references.
format Thesis
id oai:open.uct.ac.za:11427/10084
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:33:31.121Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2014
publishDateRange 2014
publishDateSort 2014
publisher Kaplan Centre for Jewish Studies
publisherStr Kaplan Centre for Jewish Studies
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/10084 The history of Yiddish theatre in South Africa from the late nineteenth century to 1960 Belling, Veronica Shain, Milton Jewish Civilization Includes bibliographical references. This dissertation sets out to investigate the history of Yiddish theatre in South Africa. Yiddish theatre first emerged in Jassy in Rumania in 1876. However with Czarist persecution and the great Jewish migration from Eastern Europe, the 1880s it had spread to Western Europe, the Americas, and South Africa. This dissertation attempts to answer the question as to why of all Eastern Europe's diasporas, Yiddish theatre at no stage put down permanent roots in South Africa. It aims to prove that the survival of Yiddish theatre was entirely dependent on the survival of the Yiddish language. Thus the fate of Yiddish theatre in South Africa was influenced by the early timing of the formative immigration, between 1890 and 1914, the common origins of the immigrants in Lithuania and White Russia, and their educational and cultural poverty. These factors were reinforced by the exclusive adherence of the Anglo-German Jewish establishment and the vast majority of the immigrants, to Zionism and the Hebrew revival. Yiddish was unequivocally rejected, so that it never featured in the construction of South African Jewish identity. Finally the Quota Act of 1930, reinforced by the Alien's Act of 1937, put a total halt to Eastern European Jewish immigration, the lifeblood of Yiddish theatre. 2014-12-26T14:03:38Z 2014-12-26T14:03:38Z 2003 Master Thesis Masters MA http://hdl.handle.net/11427/10084 eng application/pdf Kaplan Centre for Jewish Studies Faculty of Humanities University of Cape Town
spellingShingle Jewish Civilization
Belling, Veronica
The history of Yiddish theatre in South Africa from the late nineteenth century to 1960
thesis_degree_str Master's
title The history of Yiddish theatre in South Africa from the late nineteenth century to 1960
title_full The history of Yiddish theatre in South Africa from the late nineteenth century to 1960
title_fullStr The history of Yiddish theatre in South Africa from the late nineteenth century to 1960
title_full_unstemmed The history of Yiddish theatre in South Africa from the late nineteenth century to 1960
title_short The history of Yiddish theatre in South Africa from the late nineteenth century to 1960
title_sort history of yiddish theatre in south africa from the late nineteenth century to 1960
topic Jewish Civilization
url http://hdl.handle.net/11427/10084
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