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Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century
Includes bibliographical references.
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| Main Author: | |
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| Other Authors: | |
| Format: | Thesis |
| Language: | English |
| Published: |
College of Music
2014
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| _version_ | 1867613169359257600 |
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| access_status_str | Open Access |
| author | Bethke, Andrew-John |
| author2 | Bezuidenhout, Morn? |
| author_browse | Bethke, Andrew-John Bezuidenhout, Morn? |
| author_facet | Bezuidenhout, Morn? Bethke, Andrew-John |
| author_sort | Bethke, Andrew-John |
| collection | Thesis |
| description | Includes bibliographical references. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/10145 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:31:52.071Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2014 |
| publishDateRange | 2014 |
| publishDateSort | 2014 |
| publisher | College of Music |
| publisherStr | College of Music |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/10145 Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century Bethke, Andrew-John Bezuidenhout, Morn? Sandmeier, Rebekka Musicology Includes bibliographical references. The broader purpose of this study is to investigate musical change in relation to theological and liturgical change. The particular focus of this thesis is to explore the link between liturgial revision and musical development in the Diocese of Cape Town, South Africa, between 1964 and 2010. This doctorate is situated in musicology but also embraces features of liturgical theology. Le Huray's account of musical change during the Reformation, in Music and the Reformation in England 1549-1660 (Cambridge, 1978), served as a model on which to view contemporary developments. Pass' definitions of the role of music in church (kerygmatic, koinoniac and leitourgic), contained in Music and the Church (Nashville, 1989), have also been used as a basis for the study. Additionally, the author developed a series of terms to distinguish the relationship between musical and liturgical change. 2014-12-26T14:20:17Z 2014-12-26T14:20:17Z 2012 Doctoral Thesis Doctoral PhD http://hdl.handle.net/11427/10145 eng application/pdf College of Music Faculty of Humanities University of Cape Town |
| spellingShingle | Musicology Bethke, Andrew-John Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century |
| thesis_degree_str | Doctoral |
| title | Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century |
| title_full | Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century |
| title_fullStr | Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century |
| title_full_unstemmed | Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century |
| title_short | Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century |
| title_sort | contemporary musical expression in anglican churches of the diocese of cape town developments since the liturgical theological and social revolutions of the twentieth century |
| topic | Musicology |
| url | http://hdl.handle.net/11427/10145 |
| work_keys_str_mv | AT bethkeandrewjohn contemporarymusicalexpressioninanglicanchurchesofthedioceseofcapetowndevelopmentssincetheliturgicaltheologicalandsocialrevolutionsofthetwentiethcentury |