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Die stil avontuur an evaluation of Hendrik Hofmeyr's song-cycle with an emphasis on the poetry of Elisabeth Eybers

Includes bibliographical references.

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Bibliographic Details
Main Author: Claasen, Clinton Jared
Other Authors: Bezuidenhout, Morn
Format: Thesis
Language:English
Published: College of Music 2014
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access_status_str Open Access
author Claasen, Clinton Jared
author2 Bezuidenhout, Morn
author_browse Bezuidenhout, Morn
Claasen, Clinton Jared
author_facet Bezuidenhout, Morn
Claasen, Clinton Jared
author_sort Claasen, Clinton Jared
collection Thesis
description Includes bibliographical references.
format Thesis
id oai:open.uct.ac.za:11427/10233
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:32:56.154Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2014
publishDateRange 2014
publishDateSort 2014
publisher College of Music
publisherStr College of Music
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/10233 Die stil avontuur an evaluation of Hendrik Hofmeyr's song-cycle with an emphasis on the poetry of Elisabeth Eybers Claasen, Clinton Jared Bezuidenhout, Morn Includes bibliographical references. Forty-six opuses in Hofmeyr's oeuvre are either inspired by or set to Afrikaans texts. This is indicative of his love for the language and of the culture in which he feels most comfortable. Of these works, the Afrikaans song is the most predominant genre which spans his entire compositional career. However, only one cycle, Alleenstryd, has been the subject of extensive academic evaluation (Roos, 2000; May, 2003; Cupido, 2010). For the purposes of this dissertation, I have decided to investigate Die stil avontuur, a cycle based on seven poems by Elisabeth Eybers. Die stil avontuur, commissioned by Lina Spies in celebration of Eybers' ninetieth birthday traces, like Robert Schumann's Frauenlieben und -leben, the life of a woman from the first meeting of her beloved to his death. My motivation for selecting this cycle as the subject for my study, besides considering it a high-point in both Hofmeyr's oeuvre and South African song, is one of identifying a number of correlations between Eybers and Hofmeyr. Both being recipients of international awards for their respective arts, they also both left their birth country in self-imposed exile. Another aspect common to both artists is their struggle to reconcile aspects of their upbringing with their arts. 2014-12-27T14:11:23Z 2014-12-27T14:11:23Z 2012 Master Thesis Masters MMus http://hdl.handle.net/11427/10233 eng application/pdf College of Music Faculty of Humanities University of Cape Town
spellingShingle Claasen, Clinton Jared
Die stil avontuur an evaluation of Hendrik Hofmeyr's song-cycle with an emphasis on the poetry of Elisabeth Eybers
thesis_degree_str Master's
title Die stil avontuur an evaluation of Hendrik Hofmeyr's song-cycle with an emphasis on the poetry of Elisabeth Eybers
title_full Die stil avontuur an evaluation of Hendrik Hofmeyr's song-cycle with an emphasis on the poetry of Elisabeth Eybers
title_fullStr Die stil avontuur an evaluation of Hendrik Hofmeyr's song-cycle with an emphasis on the poetry of Elisabeth Eybers
title_full_unstemmed Die stil avontuur an evaluation of Hendrik Hofmeyr's song-cycle with an emphasis on the poetry of Elisabeth Eybers
title_short Die stil avontuur an evaluation of Hendrik Hofmeyr's song-cycle with an emphasis on the poetry of Elisabeth Eybers
title_sort die stil avontuur an evaluation of hendrik hofmeyr s song cycle with an emphasis on the poetry of elisabeth eybers
url http://hdl.handle.net/11427/10233
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