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Chosi Ntsomi! making a Xhosa theatre identity by adapting Nongenile Masithathu Zenani's folktale about a rite of passage for Xhosa girls

Includes bibliographical references.

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Main Author: Tshazibane, Mfundo
Other Authors: Morris, Gay
Format: Thesis
Language:English
Published: Department of Drama 2015
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access_status_str Open Access
author Tshazibane, Mfundo
author2 Morris, Gay
author_browse Morris, Gay
Tshazibane, Mfundo
author_facet Morris, Gay
Tshazibane, Mfundo
author_sort Tshazibane, Mfundo
collection Thesis
description Includes bibliographical references.
format Thesis
id oai:open.uct.ac.za:11427/10875
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:31:56.645Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2015
publishDateRange 2015
publishDateSort 2015
publisher Department of Drama
publisherStr Department of Drama
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/10875 Chosi Ntsomi! making a Xhosa theatre identity by adapting Nongenile Masithathu Zenani's folktale about a rite of passage for Xhosa girls Tshazibane, Mfundo Morris, Gay Hyland, Geoffrey Theatre and Performance Includes bibliographical references. Inspired by the performativity of Xhosa cultural belief systems, my study aims to develop dignified theatrical roles for African women. This essay explores the potential of perceptions of Xhosa cultural women, configured in oral storytelling, as a means towards developing a base for Nguni theatre. This explication speaks to the capacities of African women models in re-shaping an ancient storytelling tradition for the development of South African theatre. The focus is on the recordings of a late matriarch, Nongenile Masithathu Zenani's storytelling sessions in Xhosa and the possibilities these present for a post-apartheid and postcolonial South African theatre stage. This research traces the boundaries set by the Xhosa culture, first on women, and secondly on performance. It unlocks the meaning and the significance of traditional song and dance, space, audience and stage properties, and the actual and potential uses of each of these aspects in making an Nguni classical theatre. The explication develops a vocabulary for theatrical performance derived from a rural South African perspective and explored in an urban setting. It establishes commonalities between the stories - narrated and performed - and the audience, concerning issues pertaining to (Xhosa) womanhood in post-apartheid South Africa. 2015-01-01T12:49:28Z 2015-01-01T12:49:28Z 2012 Master Thesis Masters MA http://hdl.handle.net/11427/10875 eng application/pdf Department of Drama Faculty of Humanities University of Cape Town
spellingShingle Theatre and Performance
Tshazibane, Mfundo
Chosi Ntsomi! making a Xhosa theatre identity by adapting Nongenile Masithathu Zenani's folktale about a rite of passage for Xhosa girls
thesis_degree_str Master's
title Chosi Ntsomi! making a Xhosa theatre identity by adapting Nongenile Masithathu Zenani's folktale about a rite of passage for Xhosa girls
title_full Chosi Ntsomi! making a Xhosa theatre identity by adapting Nongenile Masithathu Zenani's folktale about a rite of passage for Xhosa girls
title_fullStr Chosi Ntsomi! making a Xhosa theatre identity by adapting Nongenile Masithathu Zenani's folktale about a rite of passage for Xhosa girls
title_full_unstemmed Chosi Ntsomi! making a Xhosa theatre identity by adapting Nongenile Masithathu Zenani's folktale about a rite of passage for Xhosa girls
title_short Chosi Ntsomi! making a Xhosa theatre identity by adapting Nongenile Masithathu Zenani's folktale about a rite of passage for Xhosa girls
title_sort chosi ntsomi making a xhosa theatre identity by adapting nongenile masithathu zenani s folktale about a rite of passage for xhosa girls
topic Theatre and Performance
url http://hdl.handle.net/11427/10875
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