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A filmic adaptation of the Lorraine Loots's Ek is Suzie

Includes bibliographical references (leaves 13-15).

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Bibliographic Details
Main Author: Loots, Lorraine
Other Authors: Marx, Lesley
Format: Thesis
Language:English
Published: Centre for Film and Media Studies 2015
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access_status_str Open Access
author Loots, Lorraine
author2 Marx, Lesley
author_browse Loots, Lorraine
Marx, Lesley
author_facet Marx, Lesley
Loots, Lorraine
author_sort Loots, Lorraine
collection Thesis
description Includes bibliographical references (leaves 13-15).
format Thesis
id oai:open.uct.ac.za:11427/11013
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:32:21.936Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2015
publishDateRange 2015
publishDateSort 2015
publisher Centre for Film and Media Studies
publisherStr Centre for Film and Media Studies
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/11013 A filmic adaptation of the Lorraine Loots's Ek is Suzie Loots, Lorraine Marx, Lesley Film and Media Includes bibliographical references (leaves 13-15). The aim of the creative project was to adapt an autobiographical illustrated novel, Ek is Suzie, into a screenplay for a full-length feature film. Using a combination of live action and animation, the two main narratives play out parallel to one another – representing the past and present tense. The explication is intended to offer a reflection on the process of writing the screenplay, on filmic influences that shaped it and on the kinds of theory that illuminate what I was trying to accomplish. Thus, I investigate various creative and technical decisions made during the writing of the screenplay – dropping the novel’s narrator, the mixing of languages, the use of dream and, especially, the play between live action and animation. I note the debate on fidelity in adaptation especially as this debate applies to graphic novels and take special account of Marjane Satrapi’s Persepolis, not only because of its engagement with the process of adaptation, but also because of it seminal use of animation as a serious medium of communication, dealing with trauma and childhood. Other (popular) filmic influences are In America, My Left Foot and Garden State, dealing with the dominant themes in my screenplay – childhood trauma, self-discovery, friendship, family and love. 2015-01-02T09:19:24Z 2015-01-02T09:19:24Z 2010 Master Thesis Masters MA http://hdl.handle.net/11427/11013 eng application/pdf Centre for Film and Media Studies Faculty of Humanities University of Cape Town
spellingShingle Film and Media
Loots, Lorraine
A filmic adaptation of the Lorraine Loots's Ek is Suzie
thesis_degree_str Master's
title A filmic adaptation of the Lorraine Loots's Ek is Suzie
title_full A filmic adaptation of the Lorraine Loots's Ek is Suzie
title_fullStr A filmic adaptation of the Lorraine Loots's Ek is Suzie
title_full_unstemmed A filmic adaptation of the Lorraine Loots's Ek is Suzie
title_short A filmic adaptation of the Lorraine Loots's Ek is Suzie
title_sort filmic adaptation of the lorraine loots s ek is suzie
topic Film and Media
url http://hdl.handle.net/11427/11013
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