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Title on accompanying disc: Zindzi
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| Other Authors: | |
| Format: | Thesis |
| Language: | English |
| Published: |
Centre for Film and Media Studies
2015
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| Subjects: | |
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| _version_ | 1867613247944785921 |
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| access_status_str | Open Access |
| author | Triegaardt, Allison Laura |
| author2 | Fleishman, Mark |
| author_browse | Fleishman, Mark Triegaardt, Allison Laura |
| author_facet | Fleishman, Mark Triegaardt, Allison Laura |
| author_sort | Triegaardt, Allison Laura |
| collection | Thesis |
| description | Title on accompanying disc: Zindzi |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/11199 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:33:07.122Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2015 |
| publishDateRange | 2015 |
| publishDateSort | 2015 |
| publisher | Centre for Film and Media Studies |
| publisherStr | Centre for Film and Media Studies |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/11199 One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival Triegaardt, Allison Laura Fleishman, Mark Film and Television Production Title on accompanying disc: Zindzi Television drama demands a strong sense of story to sustain a viewer’s engagement, and fictional characters are key dramatic vehicles in story construction, yet it remains an area that is severely neglected in terms of both theory and practice at this time in South Africa. I have discovered that the ‘death’ of the South African television character can be attributed (at least in part) to a unique set of challenges facing practitioners. My aim is to discover if the moribund television character can perhaps be resuscitated through the application of a concept called ‘the multiplicity of social self’, which finds its roots in the discipline of social psychology. This written explication and its accompanying experimental television film, Zindzi, are twin sites from which to consider the death and possible revival of contemporary South African television characters. 2015-01-03T18:22:27Z 2015-01-03T18:22:27Z 2011 Master Thesis Masters MA http://hdl.handle.net/11427/11199 eng application/pdf Centre for Film and Media Studies Faculty of Humanities University of Cape Town |
| spellingShingle | Film and Television Production Triegaardt, Allison Laura One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival |
| thesis_degree_str | Master's |
| title | One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival |
| title_full | One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival |
| title_fullStr | One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival |
| title_full_unstemmed | One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival |
| title_short | One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival |
| title_sort | one character one bullet an investigation of the death of character in contemporary south african television drama and the multiplicity of social self as possible means of character revival |
| topic | Film and Television Production |
| url | http://hdl.handle.net/11427/11199 |
| work_keys_str_mv | AT triegaardtallisonlaura onecharacteronebulletaninvestigationofthedeathofcharacterincontemporarysouthafricantelevisiondramaandthemultiplicityofsocialselfaspossiblemeansofcharacterrevival |