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One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival

Title on accompanying disc: Zindzi

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Bibliographic Details
Main Author: Triegaardt, Allison Laura
Other Authors: Fleishman, Mark
Format: Thesis
Language:English
Published: Centre for Film and Media Studies 2015
Subjects:
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access_status_str Open Access
author Triegaardt, Allison Laura
author2 Fleishman, Mark
author_browse Fleishman, Mark
Triegaardt, Allison Laura
author_facet Fleishman, Mark
Triegaardt, Allison Laura
author_sort Triegaardt, Allison Laura
collection Thesis
description Title on accompanying disc: Zindzi
format Thesis
id oai:open.uct.ac.za:11427/11199
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:33:07.122Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2015
publishDateRange 2015
publishDateSort 2015
publisher Centre for Film and Media Studies
publisherStr Centre for Film and Media Studies
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/11199 One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival Triegaardt, Allison Laura Fleishman, Mark Film and Television Production Title on accompanying disc: Zindzi Television drama demands a strong sense of story to sustain a viewer’s engagement, and fictional characters are key dramatic vehicles in story construction, yet it remains an area that is severely neglected in terms of both theory and practice at this time in South Africa. I have discovered that the ‘death’ of the South African television character can be attributed (at least in part) to a unique set of challenges facing practitioners. My aim is to discover if the moribund television character can perhaps be resuscitated through the application of a concept called ‘the multiplicity of social self’, which finds its roots in the discipline of social psychology. This written explication and its accompanying experimental television film, Zindzi, are twin sites from which to consider the death and possible revival of contemporary South African television characters. 2015-01-03T18:22:27Z 2015-01-03T18:22:27Z 2011 Master Thesis Masters MA http://hdl.handle.net/11427/11199 eng application/pdf Centre for Film and Media Studies Faculty of Humanities University of Cape Town
spellingShingle Film and Television Production
Triegaardt, Allison Laura
One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival
thesis_degree_str Master's
title One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival
title_full One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival
title_fullStr One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival
title_full_unstemmed One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival
title_short One character, one bullet : an investigation of the death of character in contemporary South African television drama and the multiplicity of social self as possible means of character revival
title_sort one character one bullet an investigation of the death of character in contemporary south african television drama and the multiplicity of social self as possible means of character revival
topic Film and Television Production
url http://hdl.handle.net/11427/11199
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