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Of sunsets, savages, and soccer framing Africa during the final days of the 2010 FIFA World Cup

Includes abstract.

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Bibliographic Details
Main Author: Jones, Bernadine
Other Authors: Glenn, Ian
Format: Thesis
Language:English
Published: Centre for Film and Media Studies 2015
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access_status_str Open Access
author Jones, Bernadine
author2 Glenn, Ian
author_browse Glenn, Ian
Jones, Bernadine
author_facet Glenn, Ian
Jones, Bernadine
author_sort Jones, Bernadine
collection Thesis
description Includes abstract.
format Thesis
id oai:open.uct.ac.za:11427/11488
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:32:12.136Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2015
publishDateRange 2015
publishDateSort 2015
publisher Centre for Film and Media Studies
publisherStr Centre for Film and Media Studies
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/11488 Of sunsets, savages, and soccer framing Africa during the final days of the 2010 FIFA World Cup Jones, Bernadine Glenn, Ian Evans, Martha Media Studies Includes abstract. Includes bibliographical references. Representation is fluid;symbolism changes between eras and between news channels. From the negativity of Afro-pessimism and threatening connotations of tribes and rampant warfare, to the notion of untouched wilderness, abundant natural resources, and financial miracles in recent years, Africa has many representations within the media. Sadly, many Africans argue, Western media practitioners tend to present "fatalistic and selectively crude" (Kromah, 2002) representations of Africa, portraying a large and diverse continent as homogeneous (Hammett, 2010), if they represent African realities at all (Golan, 2008). With the FIFA 2010 World Cup held for the first time on the African continent, the Western media spotlight was fixed firmly on South Africa for over a month of continuous, rolling reporting on Western and non-Western news channels. Did this journalism re-engender old stereotypes, symbolism, and language? This study scrutinises five rolling news channels to analyse that very issue, and adds depth and empirical evidence to an under-researched area. 2015-01-05T18:52:08Z 2015-01-05T18:52:08Z 2012 Master Thesis Masters MA http://hdl.handle.net/11427/11488 eng application/pdf Centre for Film and Media Studies Faculty of Humanities University of Cape Town
spellingShingle Media Studies
Jones, Bernadine
Of sunsets, savages, and soccer framing Africa during the final days of the 2010 FIFA World Cup
thesis_degree_str Master's
title Of sunsets, savages, and soccer framing Africa during the final days of the 2010 FIFA World Cup
title_full Of sunsets, savages, and soccer framing Africa during the final days of the 2010 FIFA World Cup
title_fullStr Of sunsets, savages, and soccer framing Africa during the final days of the 2010 FIFA World Cup
title_full_unstemmed Of sunsets, savages, and soccer framing Africa during the final days of the 2010 FIFA World Cup
title_short Of sunsets, savages, and soccer framing Africa during the final days of the 2010 FIFA World Cup
title_sort of sunsets savages and soccer framing africa during the final days of the 2010 fifa world cup
topic Media Studies
url http://hdl.handle.net/11427/11488
work_keys_str_mv AT jonesbernadine ofsunsetssavagesandsoccerframingafricaduringthefinaldaysofthe2010fifaworldcup