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Of Pigments and Paint : quantifying ochre and rock art in the Cederberg (Western Cape, South Africa

Includes bibliographical references.

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Bibliographic Details
Main Author: Hahndiek, Cuan Thomas
Other Authors: Parkington, John
Format: Thesis
Language:English
Published: Department of Archaeology 2015
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access_status_str Open Access
author Hahndiek, Cuan Thomas
author2 Parkington, John
author_browse Hahndiek, Cuan Thomas
Parkington, John
author_facet Parkington, John
Hahndiek, Cuan Thomas
author_sort Hahndiek, Cuan Thomas
collection Thesis
description Includes bibliographical references.
format Thesis
id oai:open.uct.ac.za:11427/13152
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:31:50.330Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2015
publishDateRange 2015
publishDateSort 2015
publisher Department of Archaeology
publisherStr Department of Archaeology
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/13152 Of Pigments and Paint : quantifying ochre and rock art in the Cederberg (Western Cape, South Africa Hahndiek, Cuan Thomas Parkington, John Archaeology Includes bibliographical references. This dissertation quantifies and compares the mass of the ochre assemblages and the surface area of rock paintings from the same sites based on colour classification from the Later Stone Age assemblages of three rock shelters, De Hangen, Andriesgrond and Diepkloof in the Western Cape, South Africa. This work begins to bridge the gap that exists between the excavated archaeology and the examination of rock paintings which has been primarily focused on the iconography. The colours present in the rock art are quantified using a standardised colour system. A preference is shown for saturated 10R hues, based on the Munsell classification, in the fine line and handprinting rock art traditions, whilst the colonial era paintings may illustrate a more ad hoc approach, an interpretation bolstered by survey analysis. The colours of the ochres from the excavated assemblages do not match the colours seen in the rock paintings, the colours of the ochres being clustered more toward 2.5YR and 5YR Munsell hues. The concept of “ghost ochre” has been proposed in order to describe those ochres, in the colours shown to be preferentially used in the rock art, that have been utilised in their entirety and are accordingly absent from the archaeology. A proposed cause for this is that the primary ochre processing strategy employed by the inhabitants may have been that of pulverisation rather than grinding. Some experimental hearths were conducted to examine possible colour changes in buried ochres, and these samples were analysed by colorimetric means and by X-ray diffraction. Ultimately it has been demonstrated that the relationship between ochre and rock paintings from the same site is more complex than has been previously assumed. The findings in this thesis have implications for future research in rock art studies and analyses of LSA and MSA ochre assemblages. 2015-06-29T07:44:58Z 2015-06-29T07:44:58Z 2014 Master Thesis Masters MSc http://hdl.handle.net/11427/13152 eng application/pdf Department of Archaeology Faculty of Science University of Cape Town
spellingShingle Archaeology
Hahndiek, Cuan Thomas
Of Pigments and Paint : quantifying ochre and rock art in the Cederberg (Western Cape, South Africa
thesis_degree_str Master's
title Of Pigments and Paint : quantifying ochre and rock art in the Cederberg (Western Cape, South Africa
title_full Of Pigments and Paint : quantifying ochre and rock art in the Cederberg (Western Cape, South Africa
title_fullStr Of Pigments and Paint : quantifying ochre and rock art in the Cederberg (Western Cape, South Africa
title_full_unstemmed Of Pigments and Paint : quantifying ochre and rock art in the Cederberg (Western Cape, South Africa
title_short Of Pigments and Paint : quantifying ochre and rock art in the Cederberg (Western Cape, South Africa
title_sort of pigments and paint quantifying ochre and rock art in the cederberg western cape south africa
topic Archaeology
url http://hdl.handle.net/11427/13152
work_keys_str_mv AT hahndiekcuanthomas ofpigmentsandpaintquantifyingochreandrockartinthecederbergwesterncapesouthafrica