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Wonderboom
Wonderboom (Wondertree) could be considered as a dystopic novel that takes place in a post-apocalyptic era within the South African landscape. It is the time of disillusioned citizens and access to most resources is limited, except for the plutocrats. The result is that the division between the have...
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| Format: | Thesis |
| Language: | Afrikaans |
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Department of English Language and Literature
2015
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| _version_ | 1867613265474879488 |
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| access_status_str | Open Access |
| author | Smith, Maria Elizabeth |
| author2 | Van Heerden, Etienne |
| author_browse | Smith, Maria Elizabeth Van Heerden, Etienne |
| author_facet | Van Heerden, Etienne Smith, Maria Elizabeth |
| author_sort | Smith, Maria Elizabeth |
| collection | Thesis |
| description | Wonderboom (Wondertree) could be considered as a dystopic novel that takes place in a post-apocalyptic era within the South African landscape. It is the time of disillusioned citizens and access to most resources is limited, except for the plutocrats. The result is that the division between the haves and have-nots is more severe than ever before and is particularly evident along the fringes of society. The protagonist, Magriet Vos, is a fifty-year-old violinist whose memory is disintegrating. Due to the fact that she is a regular performer at the ‘court’ of the despotic ruler Albino X, her impending mental incompetence pitches her at a knife’s edge, because when she will no longer be able to master her art, Albino X will have her killed and dispatched to the taxidermist in order to extend his diorama. Further to this, she has virtually no friends or relatives left in the coastal village where she lives, and she is thus compelled to migrate north, back to the Magaliesberg and the last members of her clan. Vos raids her past in a desperate attempt to survive the post-revolutionary wasteland in the hope of arriving ‘home’ safely. The text fluctuates between the territory of memoir and travelogue as the journey progresses and her sense of consciousness starts to dissipate. Aspects of her musical craft, such as rhythm, tone and tempo are synthesised in the structure of the novel. Further to this, careful consideration was given to references to existing texts by particular authors, serving the purpose of either parody or elegy. Vos’ journey commences in Betty’s Bay on the southern coast of South Africa and unfolds through four voices or perspectives: - The main narrator (illuminating the idiosyncratic viewpoint of Magriet Vos) - Magriet’s diary (memoir) - Encyclopedia (endnotes) - Disintegrating photo texts: a series of constructions/collages, which serves as introduction to each chapter and refers to the ‘image sequence’ of the British photographer Eadweard James Muybridge (1830-1904) and which is here applied as dismantling device to allow text and image to dovetail. The tree serves as central metaphor − both as axis in nature and as archaic source of ‘knowledge of good and evil.’ |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/13270 |
| institution | University of Cape Town (South Africa) |
| language | afr |
| last_indexed | 2026-06-10T12:33:23.204Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2015 |
| publishDateRange | 2015 |
| publishDateSort | 2015 |
| publisher | Department of English Language and Literature |
| publisherStr | Department of English Language and Literature |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/13270 Wonderboom Smith, Maria Elizabeth Van Heerden, Etienne Creative writing Wonderboom (Wondertree) could be considered as a dystopic novel that takes place in a post-apocalyptic era within the South African landscape. It is the time of disillusioned citizens and access to most resources is limited, except for the plutocrats. The result is that the division between the haves and have-nots is more severe than ever before and is particularly evident along the fringes of society. The protagonist, Magriet Vos, is a fifty-year-old violinist whose memory is disintegrating. Due to the fact that she is a regular performer at the ‘court’ of the despotic ruler Albino X, her impending mental incompetence pitches her at a knife’s edge, because when she will no longer be able to master her art, Albino X will have her killed and dispatched to the taxidermist in order to extend his diorama. Further to this, she has virtually no friends or relatives left in the coastal village where she lives, and she is thus compelled to migrate north, back to the Magaliesberg and the last members of her clan. Vos raids her past in a desperate attempt to survive the post-revolutionary wasteland in the hope of arriving ‘home’ safely. The text fluctuates between the territory of memoir and travelogue as the journey progresses and her sense of consciousness starts to dissipate. Aspects of her musical craft, such as rhythm, tone and tempo are synthesised in the structure of the novel. Further to this, careful consideration was given to references to existing texts by particular authors, serving the purpose of either parody or elegy. Vos’ journey commences in Betty’s Bay on the southern coast of South Africa and unfolds through four voices or perspectives: - The main narrator (illuminating the idiosyncratic viewpoint of Magriet Vos) - Magriet’s diary (memoir) - Encyclopedia (endnotes) - Disintegrating photo texts: a series of constructions/collages, which serves as introduction to each chapter and refers to the ‘image sequence’ of the British photographer Eadweard James Muybridge (1830-1904) and which is here applied as dismantling device to allow text and image to dovetail. The tree serves as central metaphor − both as axis in nature and as archaic source of ‘knowledge of good and evil.’ 2015-07-02T08:31:42Z 2015-07-02T08:31:42Z 2014 Master Thesis Masters MA http://hdl.handle.net/11427/13270 afr application/pdf Department of English Language and Literature Faculty of Humanities University of Cape Town |
| spellingShingle | Creative writing Smith, Maria Elizabeth Wonderboom |
| thesis_degree_str | Master's |
| title | Wonderboom |
| title_full | Wonderboom |
| title_fullStr | Wonderboom |
| title_full_unstemmed | Wonderboom |
| title_short | Wonderboom |
| title_sort | wonderboom |
| topic | Creative writing |
| url | http://hdl.handle.net/11427/13270 |
| work_keys_str_mv | AT smithmariaelizabeth wonderboom |