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The media, protest at and nation building in post-apartheid South Africa : The spear : a case study

This study examines the media coverage and public debate that ensued following the publication of The Spear, a painting by artist Brett Murray which depicted African National Congress (ANC) President Jacob Zuma with his genitals exposed. The objective of the study is twofold. First, to understand ho...

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Main Author: Makwela, Mologadi
Other Authors: Ndlovu, Musawenkosi
Format: Thesis
Language:English
Published: Centre for Film and Media Studies 2015
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access_status_str Open Access
author Makwela, Mologadi
author2 Ndlovu, Musawenkosi
author_browse Makwela, Mologadi
Ndlovu, Musawenkosi
author_facet Ndlovu, Musawenkosi
Makwela, Mologadi
author_sort Makwela, Mologadi
collection Thesis
description This study examines the media coverage and public debate that ensued following the publication of The Spear, a painting by artist Brett Murray which depicted African National Congress (ANC) President Jacob Zuma with his genitals exposed. The objective of the study is twofold. First, to understand how the debate unfolded in media and second, to unpack the public (and ANC) reaction to the media’s reports. The study attempts of contribute to research related to the relationship between media, society and nation building in young democracies, specifically in post-apartheid South Africa. A qualitative content analysis of a purposely selected sample of online news articles and comments formed the basis of the research methodology through which to identify prevalent themes that arose throughout the debate. Through discourse analysis, the study also unpacks how social structures – by these I mean groups, institutions, the economy, laws, population dynamics and social relations – that form the national landscape are created and maintained through the use of language (Gee, 2005: 65). Afrocentricism, media framing and agenda setting, as well as social and cultural identity theories, provide theoretical constructs with which to unpack a number of important aspects inherent in the media’s representation of Jacob Zuma. The findings reveal that while the painting as a metaphor of the shortcomings of an individual was relevant, historic memory paired alongside increasing class and racial tensions in South African society, escalated what otherwise would have been a form of protest art into an issue of racism and disrespect of African/black culture.
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institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:34:08.683Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2015
publishDateRange 2015
publishDateSort 2015
publisher Centre for Film and Media Studies
publisherStr Centre for Film and Media Studies
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source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/13760 The media, protest at and nation building in post-apartheid South Africa : The spear : a case study Makwela, Mologadi Ndlovu, Musawenkosi Political Communication This study examines the media coverage and public debate that ensued following the publication of The Spear, a painting by artist Brett Murray which depicted African National Congress (ANC) President Jacob Zuma with his genitals exposed. The objective of the study is twofold. First, to understand how the debate unfolded in media and second, to unpack the public (and ANC) reaction to the media’s reports. The study attempts of contribute to research related to the relationship between media, society and nation building in young democracies, specifically in post-apartheid South Africa. A qualitative content analysis of a purposely selected sample of online news articles and comments formed the basis of the research methodology through which to identify prevalent themes that arose throughout the debate. Through discourse analysis, the study also unpacks how social structures – by these I mean groups, institutions, the economy, laws, population dynamics and social relations – that form the national landscape are created and maintained through the use of language (Gee, 2005: 65). Afrocentricism, media framing and agenda setting, as well as social and cultural identity theories, provide theoretical constructs with which to unpack a number of important aspects inherent in the media’s representation of Jacob Zuma. The findings reveal that while the painting as a metaphor of the shortcomings of an individual was relevant, historic memory paired alongside increasing class and racial tensions in South African society, escalated what otherwise would have been a form of protest art into an issue of racism and disrespect of African/black culture. 2015-08-15T05:32:25Z 2015-08-15T05:32:25Z 2015 Master Thesis Masters MA http://hdl.handle.net/11427/13760 eng application/pdf Centre for Film and Media Studies Faculty of Humanities University of Cape Town
spellingShingle Political Communication
Makwela, Mologadi
The media, protest at and nation building in post-apartheid South Africa : The spear : a case study
thesis_degree_str Master's
title The media, protest at and nation building in post-apartheid South Africa : The spear : a case study
title_full The media, protest at and nation building in post-apartheid South Africa : The spear : a case study
title_fullStr The media, protest at and nation building in post-apartheid South Africa : The spear : a case study
title_full_unstemmed The media, protest at and nation building in post-apartheid South Africa : The spear : a case study
title_short The media, protest at and nation building in post-apartheid South Africa : The spear : a case study
title_sort media protest at and nation building in post apartheid south africa the spear a case study
topic Political Communication
url http://hdl.handle.net/11427/13760
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AT makwelamologadi mediaprotestatandnationbuildinginpostapartheidsouthafricathespearacasestudy