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Bibliography: leaves 34-35.
| Main Author: | |
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| Format: | Thesis |
| Language: | English |
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Department of Drama
2015
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| _version_ | 1867613237342633984 |
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| access_status_str | Open Access |
| author | Madlala, Ntokoza |
| author2 | Fleishman, Mark |
| author_browse | Fleishman, Mark Madlala, Ntokoza |
| author_facet | Fleishman, Mark Madlala, Ntokoza |
| author_sort | Madlala, Ntokoza |
| collection | Thesis |
| description | Bibliography: leaves 34-35. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/13898 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:32:57.328Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2015 |
| publishDateRange | 2015 |
| publishDateSort | 2015 |
| publisher | Department of Drama |
| publisherStr | Department of Drama |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/13898 Kwasukasukela : a practical exploration of Nguni oral storytelling traditions on contemporary physical forms of storytelling for theatre Madlala, Ntokoza Fleishman, Mark Theatre and Performance Bibliography: leaves 34-35. The present study is a written explication of the production Kwasukasukela created and staged by the author in September 2001. The production involved a practical exploration of the impact of the Nguni storytelling tradition on contemporary physical form of storytelling for theatre. In the introduction, the terms of the study: the Nguni storytelling tradition and contemporary physical forms of storytelling, are defined. The theoretical proposal is then laid out, followed by a performance historical context for the study focusing on the works of Herbert Dhlomo, Mbongeni Ngema and Gcina Mhlophe. The final section provides a discussion of the creative methods employed and the discoveries made through the process of creating and staging Kwasukasukela. The study concludes that the bringing together of the Nguni storytelling tradition and contemporary physical forms of storytelling, in the context of a theatrical production, causes changes in both forms, giving rise to a hybrid third form which provides opportunities for the creation of new subject position in theatre practice in South Africa for more critical representations of identity and history. 2015-09-14T18:07:18Z 2015-09-14T18:07:18Z 2001 Master Thesis Masters MA http://hdl.handle.net/11427/13898 eng application/pdf Department of Drama Faculty of Humanities University of Cape Town |
| spellingShingle | Theatre and Performance Madlala, Ntokoza Kwasukasukela : a practical exploration of Nguni oral storytelling traditions on contemporary physical forms of storytelling for theatre |
| thesis_degree_str | Master's |
| title | Kwasukasukela : a practical exploration of Nguni oral storytelling traditions on contemporary physical forms of storytelling for theatre |
| title_full | Kwasukasukela : a practical exploration of Nguni oral storytelling traditions on contemporary physical forms of storytelling for theatre |
| title_fullStr | Kwasukasukela : a practical exploration of Nguni oral storytelling traditions on contemporary physical forms of storytelling for theatre |
| title_full_unstemmed | Kwasukasukela : a practical exploration of Nguni oral storytelling traditions on contemporary physical forms of storytelling for theatre |
| title_short | Kwasukasukela : a practical exploration of Nguni oral storytelling traditions on contemporary physical forms of storytelling for theatre |
| title_sort | kwasukasukela a practical exploration of nguni oral storytelling traditions on contemporary physical forms of storytelling for theatre |
| topic | Theatre and Performance |
| url | http://hdl.handle.net/11427/13898 |
| work_keys_str_mv | AT madlalantokoza kwasukasukelaapracticalexplorationofngunioralstorytellingtraditionsoncontemporaryphysicalformsofstorytellingfortheatre |