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Kwasukasukela : a practical exploration of Nguni oral storytelling traditions on contemporary physical forms of storytelling for theatre

Bibliography: leaves 34-35.

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Bibliographic Details
Main Author: Madlala, Ntokoza
Other Authors: Fleishman, Mark
Format: Thesis
Language:English
Published: Department of Drama 2015
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access_status_str Open Access
author Madlala, Ntokoza
author2 Fleishman, Mark
author_browse Fleishman, Mark
Madlala, Ntokoza
author_facet Fleishman, Mark
Madlala, Ntokoza
author_sort Madlala, Ntokoza
collection Thesis
description Bibliography: leaves 34-35.
format Thesis
id oai:open.uct.ac.za:11427/13898
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:32:57.328Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2015
publishDateRange 2015
publishDateSort 2015
publisher Department of Drama
publisherStr Department of Drama
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source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/13898 Kwasukasukela : a practical exploration of Nguni oral storytelling traditions on contemporary physical forms of storytelling for theatre Madlala, Ntokoza Fleishman, Mark Theatre and Performance Bibliography: leaves 34-35. The present study is a written explication of the production Kwasukasukela created and staged by the author in September 2001. The production involved a practical exploration of the impact of the Nguni storytelling tradition on contemporary physical form of storytelling for theatre. In the introduction, the terms of the study: the Nguni storytelling tradition and contemporary physical forms of storytelling, are defined. The theoretical proposal is then laid out, followed by a performance historical context for the study focusing on the works of Herbert Dhlomo, Mbongeni Ngema and Gcina Mhlophe. The final section provides a discussion of the creative methods employed and the discoveries made through the process of creating and staging Kwasukasukela. The study concludes that the bringing together of the Nguni storytelling tradition and contemporary physical forms of storytelling, in the context of a theatrical production, causes changes in both forms, giving rise to a hybrid third form which provides opportunities for the creation of new subject position in theatre practice in South Africa for more critical representations of identity and history. 2015-09-14T18:07:18Z 2015-09-14T18:07:18Z 2001 Master Thesis Masters MA http://hdl.handle.net/11427/13898 eng application/pdf Department of Drama Faculty of Humanities University of Cape Town
spellingShingle Theatre and Performance
Madlala, Ntokoza
Kwasukasukela : a practical exploration of Nguni oral storytelling traditions on contemporary physical forms of storytelling for theatre
thesis_degree_str Master's
title Kwasukasukela : a practical exploration of Nguni oral storytelling traditions on contemporary physical forms of storytelling for theatre
title_full Kwasukasukela : a practical exploration of Nguni oral storytelling traditions on contemporary physical forms of storytelling for theatre
title_fullStr Kwasukasukela : a practical exploration of Nguni oral storytelling traditions on contemporary physical forms of storytelling for theatre
title_full_unstemmed Kwasukasukela : a practical exploration of Nguni oral storytelling traditions on contemporary physical forms of storytelling for theatre
title_short Kwasukasukela : a practical exploration of Nguni oral storytelling traditions on contemporary physical forms of storytelling for theatre
title_sort kwasukasukela a practical exploration of nguni oral storytelling traditions on contemporary physical forms of storytelling for theatre
topic Theatre and Performance
url http://hdl.handle.net/11427/13898
work_keys_str_mv AT madlalantokoza kwasukasukelaapracticalexplorationofngunioralstorytellingtraditionsoncontemporaryphysicalformsofstorytellingfortheatre